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Hi all,

I bought the Ivory 2 Grand Pianos and of all three (Yamaha, Bos, and German Steinway) and I like the last the most. The Yamaha and the Bos just sound too weird to me. I would like to know if there is a big difference between the German and the American Steinway because on the higher notes, the German version has this "box like" timbre that I don't recally care for. MF has this special financing no interest for a year so I am thinking about buying the American version. However if the difference is so minor then I may choose something else. On another note, for classical playing I can't imagine how virtual piano can be taken seriously with only 6 or 8 velocity layers like other programs out there. That is why when I play Addictive, AK, Pianissimo I feel something is not "right". Dai

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Grrr. I just lost a long reply I was typing. This one will be a bit more brief.

I did what you are considering. I had the three Ivory II sampled pianos and then bought the American Concert D (ACD from here on out). I now use the ACD exclusively when playing for myself.

I find the most significant difference is that I find the ACD much more playable than the other three. I think this is the result of it having more samples per note, but it could be something else. In any case, I can play it with much more control than the other three. I never could fully tame the velocity settings for the other three, and after fiddling everything possible still sometimes had notes 'popping out' more loudly than those before and after it; yes, this was a response to my lack of control in hitting those notes a little more hard, but the increase in sound was far more than an AG would have created. I almost never have this problem with the ACG.

As for the ACD's overall sound, I prefer it to the German sample quite a lot. In particular, I find the ACD is considerable brighter than the German sampled piano from mid-piano up. To me, it sounds like the German Steinway they sampled has overly soft hammers. While I can't put a finger on why, I find the ACD more realistic sounding note for note.

In summary, I find the German Steinway my preferred piano among the three in the Ivory II set, but I rank the ACD sufficiently higher to use it almost all the time.

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have been wondering about piano sampling SW programs.
just a trivial note, that hopefully will be of interest to someone.
I was in a piano store yesterday. they had many AP's, and a lot of DP's.
I saw a chart that categorized AP's into 4 tiers. tier 1 the highest. tier 4 the lowest.
what was astonishing to me (don't know a lot about the subject), was that the Hamburg Steinway was tier 1. but the NY Steinway was tier 2. really surprised at that. I just assumed they would both be tier 1.
Norm, your post super makes me want to try the ACD.

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Thanks minstrelman.

This discussion got me moving back and forth between the two Steinway samples a little more, and I can report a definite difference in the velocity responses of the two sample sets. I now notice one difference in favor of the German sample: with all settings exactly the same I can play far more quietly without dropping a note with the German sample. Also, the soft samples on the German set are much more different than their loud counterparts than on the ACD. The German soft samples are very muffled or muted--again, perhaps the result of softer exterior layers on the hammers. I rather like the effect of these soft samples, which I now recall from some Chopin playing.

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cool man. wow, you know a lot about this stuff.
and you guys are welcome to call me Charlie.

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Originally Posted by minstrelman
I was in a piano store yesterday. they had many AP's, and a lot of DP's.
I saw a chart that categorized AP's into 4 tiers. tier 1 the highest. tier 4 the lowest.
what was astonishing to me (don't know a lot about the subject), was that the Hamburg Steinway was tier 1. but the NY Steinway was tier 2. really surprised at that. I just assumed they would both be tier 1.


Hamburg Steinways use different hammers (denser, while NY hammers are softer but are typically hardened with lacquer). There are a few other, smaller, differences as well. Many people feel that the Hamburgs are better. Some of that is snobbery (European stuff must be better than American) and some may be legit. The two pianos have slightly different sounds, though. Depending on how the hammers are treated there are perhaps more differences between American Steinways. Some people say German Steinways are typically brighter. You can post in the acoustic forum for more info.

In Ivory, there's another difference as well: The German Steinway is a recent model while American D is vintage. Over time there are physical changes to pianos that alter their tone. I know Galaxy better and they have a vintage German and a recent German. The two have quite different tones. I won't describe the differences in depth unless you really have an interest. You can hear both in this youtube video. I personally prefer the sound of an aged piano but many people do not.

And lastly there are differences in the recording setup and the technology. American D uses the latest and highest-end tech from Ivory, so it is probably best in this respect.

In comparing the two Ivory pianos, recently a forum member described the American D as a more "silvery" tone while German Steinway is more "golden."

Last edited by gvfarns; 01/21/14 02:56 PM.
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Originally Posted by NormB
Grrr. I just lost a long reply I was typing. This one will be a bit more brief.

I did what you are considering. I had the three Ivory II sampled pianos and then bought the American Concert D (ACD from here on out). I now use the ACD exclusively when playing for myself.

I find the most significant difference is that I find the ACD much more playable than the other three. I think this is the result of it having more samples per note, but it could be something else. In any case, I can play it with much more control than the other three. I never could fully tame the velocity settings for the other three, and after fiddling everything possible still sometimes had notes 'popping out' more loudly than those before and after it; yes, this was a response to my lack of control in hitting those notes a little more hard, but the increase in sound was far more than an AG would have created. I almost never have this problem with the ACG.

As for the ACD's overall sound, I prefer it to the German sample quite a lot. In particular, I find the ACD is considerable brighter than the German sampled piano from mid-piano up. To me, it sounds like the German Steinway they sampled has overly soft hammers. While I can't put a finger on why, I find the ACD more realistic sounding note for note.

In summary, I find the German Steinway my preferred piano among the three in the Ivory II set, but I rank the ACD sufficiently higher to use it almost all the time.


Hi Norm,

I just contact MF and placed the order for the ACD. I did research online, YouTube and I had hard time finding reviews on the German version. I wondered why my GCD does not sound as good as on the demo although I have good hardware to support it. I have a fast PC, Focusrite 2i2 AI, Yamaha HS-80 mains and HS-10 sub along with Kawai VPC-1. Then I realized the Steinway included in the Grand Pianos is the German and NOT the American version. In addition, it was produced in 2010 rather than the ACD that was done last year. So far I had spend over one grand on virtual pianos and I learn something very valuable. If you are into piano playing, then save the money and buy something that is quality because piano programs that cost 100 bucks or less just don't cut it. Once the jury verdict is out on the new True Keys pianos, I may look into it too unless I am absolutely content with the ACD. Dai

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Originally Posted by gvfarns
Originally Posted by minstrelman
I was in a piano store yesterday. they had many AP's, and a lot of DP's.
I saw a chart that categorized AP's into 4 tiers. tier 1 the highest. tier 4 the lowest.
what was astonishing to me (don't know a lot about the subject), was that the Hamburg Steinway was tier 1. but the NY Steinway was tier 2. really surprised at that. I just assumed they would both be tier 1.


Hamburg Steinways use different hammers (denser, while NY hammers are softer but are typically hardened with lacquer). There are a few other, smaller, differences as well. Many people feel that the Hamburgs are better. Some of that is snobbery (European stuff must be better than American) and some may be legit. The two pianos have slightly different sounds, though. Depending on how the hammers are treated there are perhaps more differences between American Steinways. Some people say German Steinways are typically brighter. You can post in the acoustic forum for more info.

In Ivory, there's another difference as well: The German Steinway is a recent model while American D is vintage. Over time there are physical changes to pianos that alter their tone. I know Galaxy better and they have a vintage German and a recent German. The two have quite different tones. I won't describe the differences in depth unless you really have an interest. You can hear both in this youtube video. I personally prefer the sound of an aged piano but many people do not.

And lastly there are differences in the recording setup and the technology. American D uses the latest and highest-end tech from Ivory, so it is probably best in this respect.

In comparing the two Ivory pianos, recently a forum member described the American D as a more "silvery" tone while German Steinway is more "golden."


Thank you for your detailed analysis. I am looking for a bright grand because my music is piano with orchestral backing. However so far, I am unable to find the piano that suited my needs. The Yamaha C7 in the Ivory 2 Grand Pianos just sound too "weird" if I may but I hope the ACD will stop my wandering ears for a while. Dai

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thank you very much for your awesome description.
I was watching a youtube video on Ivory II and the guy used the terms silvery and golden, like you did.
any thoughts about True Keys?
if this is considered thread hijack or not polite to ask on another guy's thread, please disregard the question.

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Originally Posted by minstrelman
thank you very much for your awesome description.
I was watching a youtube video on Ivory II and the guy used the terms silvery and golden, like you did.
any thoughts about True Keys?
if this is considered thread hijack or not polite to ask on another guy's thread, please disregard the question.


I would like to know the answer too. From what I read, TK only have 9 velocity layers and that can be a problem for some people. Dai

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thank you for your generosity dr.dai phan.

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Originally Posted by minstrelman
any thoughts about True Keys?
if this is considered thread hijack or not polite to ask on another guy's thread, please disregard the question.

In my opinion, there are two virtual pianos that stand well above all others that I have (see my signature for my list), the Galaxy Vintage D and the Ivory II American D. Both play superbly well and I don't find flaws in the recording of their samples or the preparation of the actual acoustic pianos prior to sampling. They are obviously sampled from very different acoustic pianos and I would expect most people would chose one or the other based on which piano's original sound they prefer. i.e. the acoustic piano preparation, sampling, and playability of these software pianos are good enough that you can take that out of the equation and simply focus on which original piano, optimally prepped, that you like better. I don't find that true for my other software pianos, but I do for these.

If one plays mostly classical music I can see where they might prefer the Ivory II American D, but I play pop, rock, and standards and prefer the Vintage D for its more complex harmonics and wider timbre dynamic range. I think the Vintage D is much more versatile with a wider voicing range while remaining convincingly realistic. I don't think the Ivory II German D is a bad piano, but I never use it after acquiring the Ivory II American D.

I'd put the True Keys American, which I've tried for several weeks recently, in a class behind the Vintage D and Ivory II American D, but that's covered in other threads.





Macy

CVP-409GP, Garritan CFX, Vintage D, Ivory II GP's & American Concert D, Pianoteq, True Keys American D, Ravenscroft 275, Garritan Authorized Steinway, Alicia's Keys, EWQL Pianos, MainStage, iPad Pro/forScore/PageFlip Cicada, Custom Mac MIDI/Audio Software Design, Macs Everywhere
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Originally Posted by Macy
Originally Posted by minstrelman
any thoughts about True Keys?
if this is considered thread hijack or not polite to ask on another guy's thread, please disregard the question.

In my opinion, there are two virtual pianos that stand well above all others that I have (see my signature for my list), the Galaxy Vintage D and the Ivory II American D. Both play superbly well and I don't find flaws in the recording of their samples or the preparation of the actual acoustic pianos prior to sampling. They are obviously sampled from very different acoustic pianos and I would expect most people would chose one or the other based on which piano's original sound they prefer. i.e. the acoustic piano preparation, sampling, and playability of these software pianos are good enough that you can take that out of the equation and simply focus on which original piano, optimally prepped, that you like better. I don't find that true for my other software pianos, but I do for these.

If one plays mostly classical music I can see where they might prefer the Ivory II American D, but I play pop, rock, and standards and prefer the Vintage D for its more complex harmonics and wider timbre dynamic range. I think the Vintage D is much more versatile with a wider voicing range while remaining convincingly realistic. I don't think the Ivory II German D is a bad piano, but I never use it after acquiring the Ivory II American D.

I'd put the True Keys American, which I've tried for several weeks recently, in a class behind the Vintage D and Ivory II American D, but that's covered in other threads.



I think if I am not happy with the Ivory ACD then my other logical choice would be the Vintage D. I have heard people commenting on the ACD being brighter than the GCD and that's what I need. I wish I didn't waste the money on other cheaper pianos that are now of no use to me. Dai

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Originally Posted by dr.dai phan
I wish I didn't waste the money on other cheaper pianos that are now of no use to me. Dai

I wish I didn't waste the money on other cheaper more expensive (i.e. EWQL) pianos that are now of no use to me.


Macy

CVP-409GP, Garritan CFX, Vintage D, Ivory II GP's & American Concert D, Pianoteq, True Keys American D, Ravenscroft 275, Garritan Authorized Steinway, Alicia's Keys, EWQL Pianos, MainStage, iPad Pro/forScore/PageFlip Cicada, Custom Mac MIDI/Audio Software Design, Macs Everywhere
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Originally Posted by Macy
Originally Posted by dr.dai phan
I wish I didn't waste the money on other cheaper pianos that are now of no use to me. Dai

I wish I didn't waste the money on other cheaper more expensive (i.e. EWQL) pianos that are now of no use to me.


Well that makes me feel better now but then I start to feel for you. I had MF FedEx overnight the ACD and I will let you all know how I feel tommorrow evening. I am going to sip on some fine cognac while testing out this thing. I hope this is the one. Dai

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Originally Posted by Macy
Originally Posted by minstrelman
any thoughts about True Keys?
if this is considered thread hijack or not polite to ask on another guy's thread, please disregard the question.

In my opinion, there are two virtual pianos that stand well above all others that I have (see my signature for my list), the Galaxy Vintage D and the Ivory II American D. Both play superbly well and I don't find flaws in the recording of their samples or the preparation of the actual acoustic pianos prior to sampling. They are obviously sampled from very different acoustic pianos and I would expect most people would chose one or the other based on which piano's original sound they prefer. i.e. the acoustic piano preparation, sampling, and playability of these software pianos are good enough that you can take that out of the equation and simply focus on which original piano, optimally prepped, that you like better. I don't find that true for my other software pianos, but I do for these.

If one plays mostly classical music I can see where they might prefer the Ivory II American D, but I play pop, rock, and standards and prefer the Vintage D for its more complex harmonics and wider timbre dynamic range. I think the Vintage D is much more versatile with a wider voicing range while remaining convincingly realistic. I don't think the Ivory II German D is a bad piano, but I never use it after acquiring the Ivory II American D.

I'd put the True Keys American, which I've tried for several weeks recently, in a class behind the Vintage D and Ivory II American D, but that's covered in other threads.



What do you think about the Bos and the C7? They don't sound like the grands that my ears are used to. In fact they sound like some cheap sampled pianos instead. DP

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"but I play pop, rock, and standards and prefer the Vintage D for its more complex harmonics and wider timbre dynamic range."

me too. thank you so very much Macy!!
listening to a demo on big fish audio website now. wow. I like that alot!!!
I see that in my future.
best,
Charlie
edit: just talked to bigfish. I am soooooo getting that.
thanks again Macy.

Last edited by minstrelman; 01/21/14 07:20 PM.
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I have Ivory II American D, Ivory II Grand Pianos (w/German D) and Galaxy Vintage D.

I appear to be in the minority, but my favorite of the three is the German D. I am participating in the Tchaikovsky recital and I recorded my piece with both Ivory II American D and Ivory II German D. For that particular song, the German D seems to shine.

I can see American D as being very versatile. It has great resonance and a nice tone. I wouldn't describe it as either silvery or golden. (I would describe German D as silvery though.) The American D seems like it would be really good for jazz.

Galaxy Vintage D is my least favorite sounding but I have to admit I enjoy playing it sometimes!

Bottom line: I think you will be happy purchasing and using Ivory II American D and I think it is well worth the money.

I, too, am watching how the Truekeys pianos turn out. I'm not quite sold on them yet.

I have seven or eight other software sampled pianos and they are, in my view, second tier compared to Ivory II.



Kawai KG-5. Korg SP-250. Software pianos: Garritan CFX, Ivory II, Ivory Am D, Ravenscroft, Galaxy Vintage D, Alicia's Keys, et al.
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Originally Posted by AZ_Astro
I have Ivory II American D, Ivory II Grand Pianos (w/German D) and Galaxy Vintage D.

I appear to be in the minority, but my favorite of the three is the German D. I am participating in the Tchaikovsky recital and I recorded my piece with both Ivory II American D and Ivory II German D. For that particular song, the German D seems to shine.

I can see American D as being very versatile. It has great resonance and a nice tone. I wouldn't describe it as either silvery or golden. (I would describe German D as silvery though.) The American D seems like it would be really good for jazz.

Galaxy Vintage D is my least favorite sounding but I have to admit I enjoy playing it sometimes!

Bottom line: I think you will be happy purchasing and using Ivory II American D and I think it is well worth the money.

I, too, am watching how the Truekeys pianos turn out. I'm not quite sold on them yet.

I have seven or eight other software sampled pianos and they are, in my view, second tier compared to Ivory II.



I will be getting the ACD this afternoon and tonight I will try it out. I hope it will be intimate enough for solos but bright enough to be used in a mix. I hope this is the last one for a while. Dai

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Originally Posted by AZ_Astro
I have Ivory II American D, Ivory II Grand Pianos (w/German D) and Galaxy Vintage D.

I appear to be in the minority, but my favorite of the three is the German D. I am participating in the Tchaikovsky recital and I recorded my piece with both Ivory II American D and Ivory II German D. For that particular song, the German D seems to shine.

I can see American D as being very versatile. It has great resonance and a nice tone. I wouldn't describe it as either silvery or golden. (I would describe German D as silvery though.) The American D seems like it would be really good for jazz.

Galaxy Vintage D is my least favorite sounding but I have to admit I enjoy playing it sometimes!

Bottom line: I think you will be happy purchasing and using Ivory II American D and I think it is well worth the money.

I, too, am watching how the Truekeys pianos turn out. I'm not quite sold on them yet.

I have seven or eight other software sampled pianos and they are, in my view, second tier compared to Ivory II.



ditto everything you said. i never tire of playing the German D. I respect the American D and think it is a real value, but i seem to have issues with the 2 octaves that start 1 octave above middle C. they sound a little buzzy to me. The German D definitely is a softer dynamics piano, and i guess i prefer that.

to each his own. but i guess that is what keeps this blog lively.


Steinway M; Roland V-Piano; Yamaha P250;
Ivory II Grands, Italian, American D; Galaxy Vintage D; True Keys American; UVI Yamaha C7; Ravenscroft 275; Garritan CFX
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