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#604925 - 12/21/07 01:47 AM La Campanella (and "cheating?")  
Joined: Dec 2006
Posts: 39
Ben Johnson Offline
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Ben Johnson  Offline
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Joined: Dec 2006
Posts: 39
Chicago
This piece is WAY too difficult for me to at this point, and I probably shouldn't even be looking at it, but this measure (21) has me interested...

[Linked Image]

Every time I've seen a video of this piece (by professionals and amateurs alike), they all play with the left and right hands broken, in effect playing every other descending interval in the treble staff, which is, of course, much easier.

But to my [grossly undertrained] eye, it would seem that everyone is playing it wrong. confused

Somebody set me straight!

(for clarification - here is how everyone's performances sound (and appear) to me)

[Linked Image]

Sorry, I have the tendency to completely over-analyze.

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#604926 - 12/21/07 02:56 AM Re: La Campanella (and "cheating?")  
Joined: May 2007
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pianist.ame Offline
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pianist.ame  Offline
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Singapore
well if so, those students who use this piece in competitions would be marked down by judges, would'nt they?

and actually you aren't even allowed to change the piece


Mastering:Chopin Etudes op.10 nos.8&12 and op.25 no.1, Chopin Scherzo no.4 in E major op.54, Mozart Sonata in B flat major K.333& Khachaturian Toccata
#604927 - 12/21/07 05:03 AM Re: La Campanella (and "cheating?")  
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AZNpiano Offline
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AZNpiano  Offline
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Orange County, CA
Huh???

There are other places in La Campanella where you can "cheat," but I don't think that's one of them. For example, the ridiculous 2-octave leap can be simplified by having the left hand play the bottom note.


Private Piano Teacher and MTAC Member
#604928 - 12/21/07 05:44 AM Re: La Campanella (and "cheating?")  
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Posts: 143
Alexander Hanysz Offline
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Alexander Hanysz  Offline
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Adelaide, South Australia
Quote
Originally posted by Ben Johnson:
This piece is WAY too difficult for me to at this point, and I probably shouldn't even be looking at it, but this measure (21) has me interested...

Every time I've seen a video of this piece (by professionals and amateurs alike), they all play with the left and right hands broken, in effect playing every other descending interval in the treble staff, which is, of course, much easier.
I play it this way too--because that's how it's printed in the copy I learned the piece from!

Which edition do you have? I'm using Peters (edited by Sauer), but when I learned it I compared the Peters to a few others, and they were all the same in this respect. Also, every edition I've seen has the piece in G sharp minor, not A flat minor!

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#604929 - 12/21/07 06:21 AM Re: La Campanella (and "cheating?")  
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dannylux Offline
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dannylux  Offline
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Connecticut
The second version is in g# minor (1851, S141/3).

The first version is in a flat minor (1838-9, S140/3).


Mel


"Love has nothing to do with what you are expecting to get — only what you are expecting to give — which is everything. You give because you love and cannot help giving." Katharine Hepburn
#604930 - 12/21/07 06:36 AM Re: La Campanella (and "cheating?")  
Joined: Oct 2006
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playadom Offline
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playadom  Offline
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New Jersey
It seems like the OP is learning the orignal, more difficult version. I like this version better BTW.


Practice makes permanent - Perfect practice makes perfect.
#604931 - 12/21/07 06:46 AM Re: La Campanella (and "cheating?")  
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dannylux Offline
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dannylux  Offline
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Connecticut
Liszt called the first version of the set Études d'exécution transcendante d'après Paganini.

And he called the second version Grandes Études de Paganini.


Mel


"Love has nothing to do with what you are expecting to get — only what you are expecting to give — which is everything. You give because you love and cannot help giving." Katharine Hepburn
#604932 - 12/21/07 09:23 AM Re: La Campanella (and "cheating?")  
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Ben Johnson Offline
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Ben Johnson  Offline
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Chicago
Hm, I didn't even entertain the notion of there being a different edition (must've been very tired last night wink ). I'm referring the CD sheet music version, btw.

#604933 - 12/21/07 09:37 AM Re: La Campanella (and "cheating?")  
Joined: Nov 2002
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Kreisler Offline
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Joined: Nov 2002
Posts: 13,837
Iowa City, IA
At that level, judges don't really care that much. They're listening to details, but in terms of how the details add to the overall character and effect of the piece. It's not like figure skating where bobbles and such cause a .1 point deduction. (There's no standardized point scale in piano, thank god!)

Quote
Originally posted by Amelialw:
well if so, those students who use this piece in competitions would be marked down by judges, would'nt they?

and actually you aren't even allowed to change the piece


"If we continually try to force a child to do what he is afraid to do, he will become more timid, and will use his brains and energy, not to explore the unknown, but to find ways to avoid the pressures we put on him." (John Holt)

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