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Joined: Jul 2005
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Quote
Originally posted by Palindrome:
Quote
Originally posted by John Citron:
[b] ...Claviersbaroques - Toronto ----- Custom instrument builder and used instrument dealer....
Just returned from Toronto a few hours ago. I was going to stop by their place but they told me that although they do make clavichords to order, they don't have any finished ones in their possession at present. [/b]
Thank you for the update. How did you contact them? I've been calling them off and on because I want to setup an appointment for next spring. They will most likely be travelling down to the Early Music Festival in Boston, and I want them to do some maintenance on my virginal and my clavichord.

John


Current works in progress:

Beethoven Sonata Op. 10 No. 2 in F, Haydn Sonata Hoboken XVI:41, Bach French Suite No. 5 in G BWV 816

Current instruments: Schimmel-Vogel 177T grand, Roland LX-17 digital, and John Lyon unfretted Saxon clavichord.
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Well, I e-mailed them at mail@claviersbaroques.com, and, because they warned they're having trouble with a spam filter, also telephoned their area code 416 number and left a message with my e-mail address. Right now they're a bit busy providing continuo services to Cosi Fan Tutti, which might hinder their responses.


There is no end of learning. -Robert Schumann Rules for Young Musicians
Joined: Jul 2005
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Quote
Originally posted by Palindrome:
Well, I e-mailed them at mail@claviersbaroques.com, and, because they warned they're having trouble with a spam filter, also telephoned their area code 416 number and left a message with my e-mail address. Right now they're a bit busy providing continuo services to Cosi Fan Tutti, which might hinder their responses.
Thank you for the email and update! I tried emailing them, but their mailbox is full. I'll try the 416 number tomorrow.

John


Current works in progress:

Beethoven Sonata Op. 10 No. 2 in F, Haydn Sonata Hoboken XVI:41, Bach French Suite No. 5 in G BWV 816

Current instruments: Schimmel-Vogel 177T grand, Roland LX-17 digital, and John Lyon unfretted Saxon clavichord.
Joined: Jun 2003
Posts: 32,060
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Were there no harpsichord builders who thought of lifting all the dampers with a pedal (à la piano)?
The dampers and jacks are the same parts on a harpsichord, so lifting the dampers would play all the notes, unless that rank of jacks were turned off first. If you turned off the rank of jacks, you could not play the undamped string. Of course, it could be used to vibrate sympathetically with another choir of strings. There were, in fact, apparently harpsichords that had a stop that held a rank of jacks up, but the references I have read did not indicate that that it was used as a damper pedal.


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