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Joined: Jul 2007
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Ok my fingers are already beginning to itch - please post more compositions!

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Okay then. This is one of my first tunes that didn't suck. smile

It is called "For The Good Times". I'm posting a lead sheet because that is the most fun.

For The Good Times lead sheet

Enjoy! laugh

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Will - thanks for the recording of my fugue. The rit in measure 25 is exactly what I do. I also liked how you handled the last two measures.

And I liked your fugue a lot.


working on:
Goldberg Variations
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Cheers for the piece Matt - I was probably experimenting with it a little bit too much but I kept your theme. Hope you enjoy it

For The Good Times

http://www.box.net/shared/brq0yifk9z

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Nothing wrong with experimentation. smile

It's really cool to hear someone who is better at the piano than me play my tunes. Thanks!

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Anymore anyone?

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I am working on a piece that I guess would be considered a Waltz. It's very easy compared to a Chopin Waltz, but I admit, I am pretty proud of it so far. I am doing some notation of it right now... I should be able to post it sometime soon! smile

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You're on a roll, Will!

OK, here's another:

Dance

smile


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Don't know if it's my computer but I couldn't open that 1 Sam ?

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What happens when you try to open it? It opens fine on 2 of my computers.


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Quote
Originally posted by Will335:
I guess this is where my spree ends -

A Piece in G major etc.
http://www.box.net/shared/ahryrm9i81

I realised after I recorded it that I probably took it a lot faster than you wanted calpiano because I only just noticed the duration note at the bottom of the piece (mine was about 30 seconds quicker) so sorry about that.
The difficult thing in reading this piece was all the crossovers - as soon as I crossed over hands, I completely lost where I was on the score (So I had to learn it a little bit).
Wow, it's amazing to hear someone else play your own composition. Thanks Will, and for taking the effort to learn it too! As for the tempo, I actually intended for it to be faster - I counted in the repeats for the time duration - but I suppose it's difficult to do with all the jumps!

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Quote
Originally posted by pianojerome:
What happens when you try to open it? It opens fine on 2 of my computers.
I think my computer was being moody last night - I got it now, thanks (this is a good 1).

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Okay, here's another one from the heap on the floor. It's in the same place as the others.

Bravura Study

Vigorous but not too hard. I have uploaded an old recording I made as a rough guide.

I have also noticed that the dates written on these scores are all arsey-boo. I remember making up this piece well before I bought my present piano in 1971. I think I must have just gone through in a massive exercise putting dates in the 1980s on everything; I don't know why.


"Do what thou wilt shall be the whole of the law" - Aleister Crowley
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Here it is Sam - love that piece!

Dance
http://www.box.net/shared/e4vf9u5f7v

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I won't be posting for a few days because i'm going to my Mum's house (she doesn't have the internet there) - I'm going to be working on my big WTC project and learning Russian. See you on the weekend!

p.s like the piece Ted, expect a recording soon!

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Here is another one. I happened to make the lead sheet today (though the composition is from last month), so I thought why not post it in this thread:

Southbound

You can here a recording here .

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mahlzeit: regarding the seventh bar and repetitions, I suggest you to change the C#-D#-C# to Db-Eb-Db.
You're in the Bbm orbit. Don't fly away the planetary system.

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Hmm, you're right. Thanks for catching that. I fixed it. (There was another error with wrong chord symbols too.) laugh

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I have discovered another dozen or so of these romantic things from years ago. Some are simple but one or two of them are monsters, so I have uploaded old recordings of them first here:

Old romantic pieces

If anyone really wants to try a particular one I shall upload its score in the same place. That way at least people won't feel obliged to wrestle with something they don't like.


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Here's an idea: some of you remember the discussion of a small section from Beethoven's Pathetique ( here ). We put up just 16 measures, and then wrote as many descriptions of it as we could, in terms of theory, performance, history, notation, etc. Why not do the same with some of our own compositions that are posted here?

Let's start with Cultor's "Lonely Clown Waltz" -- it's short, only 15 measures:

[Linked Image]

(Thanks again, Cultor, for allowing us to put your piece in the spotlight)

Here's a recording that Will335 made of this piece:
http://www.box.net/shared/6v1mjsxi2s

So, what do you see/hear?


I'll start: I see an overall arch in terms of dynamics: the first phrase is marked p (mm. 1-5), the second and third phrases are marked mf (mm. 5-9, 9-12), and the last phrase is marked p (mm. 12-15)

(with extra dynamic marks in between)


Sam
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