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cmb13, I found a winner. So cute, that accent and her use of language is to die for, very charming, and a fine performance too. At least one just has to admit that this is aesthetically more pleasing than watching Horowitz or sideburns.
It may depend upon what you describe as "a winner."
I am always in favour of breaths at the end of phrases, so that a calm work like this doesn't sound rushed; but In this performance she plays every measure that begins with a half-note (measures 2, 4, 6, etc.) as if they were in 4/4 time while the other measures she correctly plays in 3/4 time. It may be "poetic" and "reflective and dreamy" and "[whatever other adjective you would like to add]." The performance may also show good tone and voicing, but as for the tempo, it's not what Chopin wrote.
cmb13, I found a winner. So cute, that accent and her use of language is to die for, very charming, and a fine performance too. At least one just has to admit that this is aesthetically more pleasing than watching Horowitz or sideburns.
It may depend upon what you describe as "a winner."
I am always in favour of breaths at the end of phrases, so that a calm work like this doesn't sound rushed; but In this performance she plays every measure that begins with a half-note (measures 2, 4, 6, etc.) as if they were in 4/4 time while the other measures she correctly plays in 3/4 time. It may be "poetic" and "reflective and dreamy" and "[whatever other adjective you would like to add]." The performance may also show good tone and voicing, but as for the tempo, it's not what Chopin wrote.
Regards,
Pianists are often praised for their interpretation of a particular piece, so I'm wondering , based on this post, whether 'tempo' qualifies for interpretation or not.
It may depend upon what you describe as "a winner."
I am always in favour of breaths at the end of phrases, so that a calm work like this doesn't sound rushed; but In this performance she plays every measure that begins with a half-note (measures 2, 4, 6, etc.) as if they were in 4/4 time while the other measures she correctly plays in 3/4 time. It may be "poetic" and "reflective and dreamy" and "[whatever other adjective you would like to add]." The performance may also show good tone and voicing, but as for the tempo, it's not what Chopin wrote.
Regards,
By winner I referred to the looks and speech mainly, I only heard the performance years ago but I do recall enjoying it very much , it was in my bookmarks from few years ago.
As for the tempo debate, I actually prefer the slower tempo versions personally for this piece. Funny coincidence you mention it, since I just mentioned it in Clementi study group thread as to why.
This is for me a good example of how the modern instrument lends it itself to this kind of tempo for this piece (IMO of course), it changes the feel a lot as a result ( to my ears for the better).
Last edited by Alexander Borro; 02/06/1905:30 PM. Reason: add link to post
Selftaught since June 2014. Books: Barratt classic piano course bk 1,2,3. Humphries Piano handbook, various... Kawai CA78, Casio AP450 & software pianos. 12x ABF recitals. My struggles: https://soundcloud.com/alexander-borro
As for the tempo debate, I actually prefer the slower tempo versions personally for this piece. Funny coincidence you mention it, since I just mentioned it in Clementi study group thread as to why.
This is for me a good example of how the modern instrument lends it itself to this kind of tempo for this piece (IMO of course), it changes the feel a lot as a result ( to my ears for the better).
Then there is "authentically" slow tempo...
across the stone, deathless piano performances
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[...] As for the tempo debate, I actually prefer the slower tempo versions personally for this piece. Funny coincidence you mention it, since I just mentioned it in Clementi study group thread as to why.
[...]
If you read my post carefully - which I hope you did - it was not the question of overall tempo I was objecting to, but the fact that the pianist's tempo was totally erratic: one measure in 3/4, the next in 4/4, the next in 3/4 etc. etc.
If you read my post carefully - which I hope you did - it was not the question of overall tempo I was objecting to, but the fact that the pianist's tempo was totally erratic: one measure in 3/4, the next in 4/4, the next in 3/4 etc. etc.
Regards,
Sorry Bruce , we crossed paths when I was talking about overall tempo, not the same as you say. As for the tempo being erratic. I just listened to it again after x years. I do not see it as a bad thing at all, merely a pleasant interpretation. I like it more than most versions out there I've heard.
I guess some stretch more than others what they find acceptable deviating from what Chopin wrote, but then it would be a boring world if all pianist were the same.
Selftaught since June 2014. Books: Barratt classic piano course bk 1,2,3. Humphries Piano handbook, various... Kawai CA78, Casio AP450 & software pianos. 12x ABF recitals. My struggles: https://soundcloud.com/alexander-borro
I guess some stretch more than others what they find acceptable deviating from what Chopin wrote, but then it would be a boring world if all pianist were the same.
Tempo is one of an almost infinite number of ways, both genetic and learned, in which all pianists sound different to one another. In fact IMHO it would be actually quite difficult for two pianists to play the same piece and actually sound the same. It depends on what kind of scale of resolution you listened, I guess.
I think a lot of critics can't get past how Khurvaceous Khatia is dressed to kill and plays to thrill! You can't deny the talent even of you want to ignore the visual presentation. From what I've heard, it's her mom who chooses her wardrobe. The media often call her 'The Beyonce Of The Piano'. Don't know about that, but big sister Gvantsa is the Salma Hayek. [img]https://imgur.com/a/p3b6MY3[/img] Finally, why do so many people say that a lady must be modest? Was Mussorgski Modest?
I wouldn't be surprised as talented as she obviously is that her attractiveness has also helped her further her career. I think taking care of one's physical self probably plays a role in a performing concert pianist's career as superficial as that may sound, but I think it's just a reality. I think that when I look at a female concert pianist their posture at the piano, their physical attractiveness and how well they take care of their bodies has a certain level of attraction to me that somehow adds to the overall experience of watching them perform. I know that sounds pretty shallow but I think it's human nature. So when the OP says I think I'm in love with this woman, is it because of the way she plays or how attractive she is, or both that he's falling in love with?
I wouldn't be surprised as talented as she obviously is that her attractiveness has also helped her further her career. I think taking care of one's physical self probably plays a role in a performing concert pianist's career as superficial as that may sound, but I think it's just a reality. I think that when I look at a female concert pianist their posture at the piano, their physical attractiveness and how well they take care of their bodies has a certain level of attraction to me that somehow adds to the overall experience of watching them perform. I know that sounds pretty shallow but I think it's human nature. So when the OP says I think I'm in love with this woman, is it because of the way she plays or how attractive she is, or both that he's falling in love with?
Not sure; if I see him, I'll ask him! lol I love that Rach piece, that's for sure. She just has so many great videos, songs I find appealing, and the video production is top notch. It's the whole package.
I think a lot of critics can't get past how Khurvaceous Khatia is dressed to kill and plays to thrill! You can't deny the talent even of you want to ignore the visual presentation. From what I've heard, it's her mom who chooses her wardrobe. The media often call her 'The Beyonce Of The Piano'. Don't know about that, but big sister Gvantsa is the Salma Hayek. [img]https://imgur.com/a/p3b6MY3[/img] Finally, why do so many people say that a lady must be modest? Was Mussorgski Modest?
There was one of them playing libertango in an outdoor setting that I can’t fine right now. It was amazing! I wonder if they took it down when they replaced it with the other one.
Das Waldkonzert = The wood concert, or the forest concert.
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