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so basically, im almost 17 and i still dont know what i wanna get a part time job as or volunteer at since idk what career i wanna do, and i think i know enough about piano to teach beginners/children. my first piano teacher i went to was 17 at the time and she was on grade 5 and wasn't actually a teacher but i still learned loads from her, and my piano teacher now says she started teaching when she was 14 so im guessing there should be no problem with my age/experience? or would there? as for my own experience, im getting onto grade 7 and been learning for 5 years. (feels longer than it is lol) I've also been thinking of what the lesson plans would be like, first week will be discussing goals and stuff, then after we'll start on keyboard geography, scales, naming notes, you know, the foundation stuff. Then learn a bit of theory during the lesson and set tasks to do at home. I'll probably only think on what comes after if I ever get to this point in teaching though. I was thinking that this might be a good change for me since I'm starting A levels (pretty much college) and I think by teaching, I can also learn some things on organising my own studies to get them done effectively. Would teaching be worth a shot? Or am I not ready yet? Is it silly that I think I can teach? And if im good enough, how much would I charge? is £10 for half an hour too much? sorry loads of questions lol 
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If you do a search I think you'll find that starting with beginners is the worst place to start, because you are giving foundations. There is a difference between knowing how to play piano, and knowing how to teach. If you teach early intermediate students, preferably who have been taught properly by a decent teacher, then you can build on those foundations.
I don't know if anyone can link to any discussions on this. A search should give you a few hits.
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I'd recommend asking your present teacher for specifics on whether she has confidence you could teach well, and if she could help give some tips to help you start well. She knows you better than anyone on the internet does, so ask for her direct, straightforward opinion. She might not necessarily think every 14-year-old (or older) would be fine to begin teaching just because she herself started at that age.
My opinion -- but remember, I'm just an internet person who doesn't know you -- is that if you don't know what you want to do, piano teaching might not be the route to go. You need a passion for teaching. If you do have that, I can't hear it in your post. Your students, if you do teach, will need someone who is enthusiastic about embarking on the teaching journey, not someone who has a vague idea that this might be one possible career area.
Be on fire to start out with enthusiasm, and acquire the needed teaching skills, per your teacher's recommendations, before you start looking for students.
Last edited by Andamento; 04/25/19 04:02 PM.
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Teaching piano requires communicating effectively. That doesn't mean you have to use long words. Sometimes, you simply say "stop" to a young beginner.
Your post indicates you need to learn more about speaking clearly and effectively. Always edit what you write so that you learn to boil things down to the essential message.
Only time will tell if teaching is right for you. Right now, concentrate on your own piano studies, and try many other jobs to improve at working with others.
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And if im good enough, how much would I charge? is £10 for half an hour too much? I would say, your first one should be an adult, or almost adult, whom you teach for free. Just tell them that you have never taught before, and in exchange for the free lesson, both of you spend time on feedback to you. Now of course, this is only one student and all students are different, but you should get some experience with teaching before you start charging. (I am not a pianoteacher myself, but I have taught in a school for a couple of years)
Last edited by Animisha; 04/26/19 02:31 AM.
Playing the piano is learning to create, playfully and deeply seriously, our own music in the world. * ... feeling like the pianist on the Titanic ...
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I'm 22 years old and now I'm a professional piano teacher. I started teaching around age 15. I taught two kids, and I feel sorry for those two kids as I did not know what I was doing now that I look back. I didn't start teaching again until I taught college students beginning piano in college. Teaching someone near your age is definitely a great start. Before I started my studio, I did A LOT of research and I thought deeply about how my past professors and teachers taught me. Eventually after teaching a bunch of kids I created my own style which is still developing. I even talked to other teachers about how they teach and what they suggest. I recommend you do the same. If you want to really teach young students, purchase some method book (I love Alfred Premiere Piano Course) and STUDY it inside and out. Play their parts and feel how the progression is. Imagine yourself teaching each concept from notes, rests, intervals, scales, etc. Also, please understand a lot of bad PHYSICAL playing habits can happen in the first few lessons, and you must correct it immediately. This is not easy. You have to understand how to demonstrate and explain proper playing technique, and if you aren't exhausted from saying the same things over again such having curved fingers with uncollapsed joints, then you are doing it wrong.
I can go on and on, but please do not be like me and start teaching without any advice from real teachers!
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And if im good enough, how much would I charge? is £10 for half an hour too much? I would say, your first one should be an adult, or almost adult, whom you teach for free. Just tell them that you have never taught before, and in exchange for the free lesson, both of you spend time on feedback to you. [/quote] What is your reasoning for this? Personally I disagree with this. As an adult when I started a new instrument, I wanted to learn to play it. There were problems with how I was taught as a beginner, and I could not tell (let alone give feedback) because I had no experience in studying music with a teacher. Worse, I've had to quit the instrument, and relearn / unlearn which is thanklessly difficult. Many kinds are forced to have lessons and don't want to learn to play. And adult usually does want to learn, so the damage is greater. Any teaching activity should be for the benefit of the learner, to learn, the the teacher's learning to teach is a happy secondary outcome. The learner matters.
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I'm in the early stages of learning to play the piano so take this as being from someone with little experience (much more on another instrument though). I say you should start learning to teach, now. There are many good players/teachers on youtube. They might be a good resource. In 3 months, 6 or 12 months you'll be far better equipped to teach beginners/early grade learners. I think there's quite a bit more to it than being able to play and suddenly deciding you want to teach others. It's a skill in itself. It's always about your pupil and you may well be trying to solve problems that you never experienced yourself.
Last edited by Michael P Walsh; 04/26/19 09:00 AM.
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so basically, im almost 17 and i still dont know what i wanna get a part time job as or volunteer at since idk what career i wanna do, and i think i know enough about piano to teach beginners/children. You may want to take a look at the ABRSM teaching diploma, or at a minimum, looking through the syllabus for it even if you can't take the exam until you finish your ABRSM Grade 8.
![[Linked Image]](http://forum.pianoworld.com//gallery/42/medium/12282.png) across the stone, deathless piano performances "Discipline is more reliable than motivation." -by a contributor on Reddit r/piano "Success is 10% inspiration, and 90% perspiration." -by some other wise person "Pianoteq manages to keep it all together yet simultaneously also go in all directions; like a quantum particle entangled with an unknown and spooky parallel universe simply waiting to be discovered." -by Pete14
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Be sure that you are familiar with pre-staff music and intervallic reading. When you teach rank beginners, you need to help them build a solid foundation, which includes being oriented around the keyboard and being able to read music directionally and intervallically. Once this connection is formed solidly, your job will be much easier.
MUCH easier.
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I've also learned that the method books only provide the bare minimum of what to teach. My students learn particularly from fun activities that the books don't even suggest. For example, I do rhythm games where my students must clap a rhythm I draw on a whiteboard, and then I have them write a rhythm for me to clap ensuring that it fits the chosen Time Signature. I also have a staff whiteboard for various topics such as Landmark notes, intervals, etc. You must be very colorful and creative in your teaching. Printed paper compiled into a book can only teach so much.
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And if im good enough, how much would I charge? is £10 for half an hour too much? I would say, your first one should be an adult, or almost adult, whom you teach for free. Just tell them that you have never taught before, and in exchange for the free lesson, both of you spend time on feedback to you. What is your reasoning for this? Personally I disagree with this. As an adult when I started a new instrument, I wanted to learn to play it. There were problems with how I was taught as a beginner, and I could not tell (let alone give feedback) because I had no experience in studying music with a teacher. Worse, I've had to quit the instrument, and relearn / unlearn which is thanklessly difficult. Many kinds are forced to have lessons and don't want to learn to play. And adult usually does want to learn, so the damage is greater. Any teaching activity should be for the benefit of the learner, to learn, the the teacher's learning to teach is a happy secondary outcome. The learner matters. Hi Keystring! First of all, I thing bad teaching is worse for children than for adults - simply because bad habits learned as a child stick more than bad habits learned as an adult. But most of all, if I am an adult and decide to take lessons for free (or at a low rate) with a 17 y o in exchange for giving them feedback, and if the lessons are not good - it is all on me. I took a risk, I did not pay what I should have, and this is the result, and I can take responsibility for the effects of my choice. But for a child, it is an adult who decides to take chance with cheap lessons, and if it is not good, poor child. They didn't chose this. And this may make the child feel that piano is not for me, and that would be a pity.
Playing the piano is learning to create, playfully and deeply seriously, our own music in the world. * ... feeling like the pianist on the Titanic ...
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Animisha, thank you for responding.  My suggestion early on was that if a student is taken this early on, then it should be an intermediate or early-intermediate student, one who has been given some kind of decent foundation, so that the novice teacher has something to build on that. What do you think of this alternative? (It's also what we see cited most often by teachers). ..... simply because bad habits learned as a child stick more than bad habits learned as an adult. For learning a new musical instrument for the first time, I have never heard this cited. What I have been told, and experienced myself, is that an adult beginner will tend to be overly diligent with every instruction, even to the point of following instructions too precisely. Children are more likely to do what feels ok and are not always "good listeners" and that may save them from the worst of poor instruction. Have you talked to adults who have been taught bad habits or learned them otherwise, to see how easy it has been for them to turn this around? I can tell you that with another instrument, trying to undo what I learned wrongly by following such instructions has been a horrible thing to go through. It is extremely difficult, and I would not wish that on anyone else. ....If I am an adult and decide to take lessons for free (or at a low rate) with a 17 y o in exchange for giving them feedback, and if the lessons are not good - it is all on me. If you are a novice, you will not be in a position to give any kind of meaningful feedback. When I got the kind of teaching that has left me with having to turn around my "foundations", at best I felt something might be off but doubted myself. Now, with the knowledge I have, I'm able to assess in retrospect, but not then. Btw,it would have been worse, and it was a "17 y o" - a student who cared and took my progress seriously, who prevented it becoming worse than it was. No student of any age should be put at risk though poor instruction, regardless of price. I have an ethical problem with the idea of lower quality or higher risk due to price, for any profession. In my present profession, I sometimes run into clients who are in dire straits, and when I charge half or less of my fee, I nonetheless give them the same quality. My first trained profession is teaching, and if anything, I am even more passionate about this here - it is a responsibility we hold toward the student, who can be harmed. Consider, also, that an older adult is at greater risk for injury because the body is not as forgiving.
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I think it is interesting to note that for the RCM piano pedagogy certification, the first level of the certification is "Elementary Piano Pedagogy," followed by "Intermediate Piano Pedagogy," followed by "Advanced Piano Pedagogy." One cannot earn a level without meeting the requirements for the prior pedagogical level. Each of these pedagogical levels is then qualified to teach piano students as follows: - Elementary Piano Pedagogy—pedagogy for teaching beginners through to Level 4 piano students
- Intermediate Piano Pedagogy—pedagogy for teaching piano students at Levels 5 through Level 8
- Advanced Piano Pedagogy—pedagogy for teaching piano students at Levels 9 and 10
While these levels can apply to both children and adults, it is clearly the intention of the Royal Conservatory that the least trained teachers teach the lowest level students, teachers with more training teach intermediate students, and the most trained teachers teach advanced students, irrespective of whether those students are children or adults though. I believe ABRSM is the same way.
![[Linked Image]](http://forum.pianoworld.com//gallery/42/medium/12282.png) across the stone, deathless piano performances "Discipline is more reliable than motivation." -by a contributor on Reddit r/piano "Success is 10% inspiration, and 90% perspiration." -by some other wise person "Pianoteq manages to keep it all together yet simultaneously also go in all directions; like a quantum particle entangled with an unknown and spooky parallel universe simply waiting to be discovered." -by Pete14
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While these levels can apply to both children and adults, it is clearly the intention of the Royal Conservatory that the least trained teachers teach the lowest level students, teachers with more training teach intermediate students, and the most trained teachers teach advanced students, irrespective of whether those students are children or adults though. That does not mean that whoever put this together also understands the nature of teaching and learning. There are other flaws in these programs. I've done more than just read about them or study the material on my own. I was given this material as a student, discussed approaches, pros and cons later on with a teacher who taught it, another who taught ABRSM, and still another who wrote material for some of the programs as well as going through national and later international lecture tours, teaching teachers. It would be interesting to hear from teachers who have gone through any of these programs (RCM, ABRSM, AMEB) and who have at least 10 years of full time teaching under their belts, to find out how useful such teacher programs were, and what strengths, weaknesses, and flaws they might have found.
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Animisha, thank you for responding. Thank you Keystring! I can be slow in responding but I try to always respond. My suggestion early on was that if a student is taken this early on, then it should be an intermediate or early-intermediate student, one who has been given some kind of decent foundation, so that the novice teacher has something to build on that. What do you think of this alternative? (It's also what we see cited most often by teachers). I like your thinking, however, as an intermediate student, I would be doubtful as to how much a 17 y o can teach me. ..... simply because bad habits learned as a child stick more than bad habits learned as an adult. For learning a new musical instrument for the first time, I have never heard this cited. What I have been told, and experienced myself, is that an adult beginner will tend to be overly diligent with every instruction, even to the point of following instructions too precisely. Children are more likely to do what feels ok and are not always "good listeners" and that may save them from the worst of poor instruction. I was just thinking generally, from my own experience. The things I have learned before I was 15 compared to what I have learned after 45 - it's a huge difference. Older habits are just so much stronger. I did not think about the aspect you mention, adults following instructions too precisely, Have you talked to adults who have been taught bad habits or learned them otherwise, to see how easy it has been for them to turn this around? I can tell you that with another instrument, trying to undo what I learned wrongly by following such instructions has been a horrible thing to go through. It is extremely difficult, and I would not wish that on anyone else. My experience has not been like this. Yes, it is hard to learn new good habits, but not because it is difficult to unlearn my bad old habits. But for instance just understanding, not only with my mind but with my body, what is meant by playing using the weight of your arm took me more than half a year. [quote] ....If I am an adult and decide to take lessons for free (or at a low rate) with a 17 y o in exchange for giving them feedback, and if the lessons are not good - it is all on me. [quote=keystring] If you are a novice, you will not be in a position to give any kind of meaningful feedback. When I got the kind of teaching that has left me with having to turn around my "foundations", at best I felt something might be off but doubted myself. Now, with the knowledge I have, I'm able to assess in retrospect, but not then. Btw,it would have been worse, and it was a "17 y o" - a student who cared and took my progress seriously, who prevented it becoming worse than it was. I understand what you are coming from. But wouldn't it be even worse for a child? Especially when the teacher is nice and the child bonds to the teacher. No student of any age should be put at risk though poor instruction, regardless of price. I have an ethical problem with the idea of lower quality or higher risk due to price, for any profession. In my present profession, I sometimes run into clients who are in dire straits, and when I charge half or less of my fee, I nonetheless give them the same quality. My first trained profession is teaching, and if anything, I am even more passionate about this here - it is a responsibility we hold toward the student, who can be harmed. That is a wonderful stance. Consider, also, that an older adult is at greater risk for injury because the body is not as forgiving. That is certainly true.
Playing the piano is learning to create, playfully and deeply seriously, our own music in the world. * ... feeling like the pianist on the Titanic ...
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If you do a search I think you'll find that starting with beginners is the worst place to start, because you are giving foundations. There is a difference between knowing how to play piano, and knowing how to teach. If you teach early intermediate students, preferably who have been taught properly by a decent teacher, then you can build on those foundations........ The OP is herself at the intermediate level (Grade 6 and 5 years of lessons). I'm not sure how much she could teach fellow intermediate students technically. Having no experience teaching, she would be at a distinct disadvantage pedagogically. Yes, you don't want to give a beginner bad foundations, but a novice teacher jumping into teaching someone who is already playing at your own level seems unlikely to succeed. For someone considering making teaching their profession, spending some time apprenticing with an experienced and respected teacher would be a productive way to spend some time before taking on a student (at any level or at any age).
![[Linked Image]](http://forum.pianoworld.com//gallery/42/medium/14100.png) Yamaha C3X In summer, the song sings itself. --William Carlos Williams
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If you do a search I think you'll find that starting with beginners is the worst place to start, because you are giving foundations. There is a difference between knowing how to play piano, and knowing how to teach. If you teach early intermediate students, preferably who have been taught properly by a decent teacher, then you can build on those foundations........ The OP is herself at the intermediate level (Grade 6 and 5 years of lessons). I'm not sure how much she could teach fellow intermediate students technically. Having no experience teaching, she would be at a distinct disadvantage pedagogically. Yes, you don't want to give a beginner bad foundations, but a novice teacher jumping into teaching someone who is already playing at your own level seems unlikely to succeed. For someone considering making teaching their profession, spending some time apprenticing with an experienced and respected teacher would be a productive way to spend some time before taking on a student (at any level or at any age). Well, ** IF ** teaching at all, and I was thinking maybe gr. 3 as "not beginner" - but I agree with you. But definitely not beginners.
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The OP is herself at the intermediate level (Grade 6 and 5 years of lessons). I'm not sure how much she could teach fellow intermediate students technically. Well, ** IF ** teaching at all, and I was thinking maybe gr. 3 as "not beginner" - but I agree with you. But definitely not beginners. The Royal Conservatory of Music in Toronto believes that piano students should be able to earn elementary and intermediate piano pedagogy certificates for teaching piano (which they recommended for teach RCM grades 1-8), when you have completed RCM grade 8 yourself and then do the work to actually earn those pedagogy certificates. From what I've read, RCM grade 8 is the equivalent to ABRSM grade 6-7. For further information on what RCM grade 8 is equivalent to, you can check their piano syllabus - note it's at the level of many Bach two-part inventions. While I respect the opinions of forum members in this matter, and more so if you are a piano teacher, it can't be denied that the RCM is a professional body dedicated to piano education for the last 133 years, and I certainly give their opinion considerable weight. Clearly if RCM thought additional "minimum" piano experience was required to properly teach piano at an RCM grade 1-8 level, they would have changed their requirements for their piano pedagogy certificates long ago. See the above link yourself for their syllabus and requirements. This said, I'm in that RCM grade 1-8 range, and I would not personally want a teacher with only an RCM grade 8 level of experience.
![[Linked Image]](http://forum.pianoworld.com//gallery/42/medium/12282.png) across the stone, deathless piano performances "Discipline is more reliable than motivation." -by a contributor on Reddit r/piano "Success is 10% inspiration, and 90% perspiration." -by some other wise person "Pianoteq manages to keep it all together yet simultaneously also go in all directions; like a quantum particle entangled with an unknown and spooky parallel universe simply waiting to be discovered." -by Pete14
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I would recommend taking any students you can get, but it's usually best to start with family friends or maybe some people who are familiar with you in your area. I wouldn't worry about age as you will have to learn to teach all ages at some point. I would say £10 an hour initially would be more realistic until you have at least a year of experience in teaching a few students.
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