Piano World Home Page Forums Our Most Popular Forums Piano Forum Semi Concert Grand Blind Test pt 2 Reveal

Here is the original thread http://forum.pianoworld.com/ubbthreads.php/topics/2829189/1/semi-concert-grand-blind-test.html

Here are the videos in the same order as those of the original thread. I had a very fascinating experience of the videos sounding different to me than the recordings without video even though I had all of the information and was part of the recording session, piano prep etc etc.

There were some interesting and insightful observations in the first thread and again, thank you all for participating. I will be very interested to learn about listener's experience as to whether their perceptions changed with seeing the video as opposed to just listening, as mind did.

Piano 1 - Steingraeber D-232 Piano 2 - Estonia 225 Piano 3 Bosendorfer 225

I imagine Estonia must feel pretty good about this.

K:
Interesting.
I guessed 1 & 2 but hadn't a clue about 3, which I liked best !
Satisfying, somehow, as I've always loved that particular model, some more than others, of course, but I've always regarded the 225 as one of the best pianos.
What is the vintage of the 225 ?
This test was fun.
Thanks so much.
K

Hey, I got 2 out of 3. Where do I collect the prize piano?

#3 was my favorite, and I liked #1 better than #2.

Very interesting outcome. The Steingraeber is not really a surprise. I was not expecting the Bösendorfer although it matches my expectation that No 3 would probably do better (quite a lot I suppose) with a different repertoire. I was pleasantly surprised by the Estonia bass but could not care about the tenor and treble.

Thanks a lot for doing this and of course also to the pianist that put down a very solid performance, not once but three times (and with a very constant tempo as the performances match almost to the second).

Particularly given the significant price differential between the Estonia 225 and the other two instruments.
Regarding the artist, Hai Jin…….."Jin is a D.M.A. candidate at the University of Cincinnati College-Conservatory of Music, and she is the assistant conductor of the Maryland Lyric Opera. She is an active concert pianist, chamber musician and orchestral soloist and is a member of the Sassmannshaus Piano Trio. She has performed across the U.S. and Asia."

Even with my eyes closed, the video recordings sound different from the audio ones, especially the Steingraeber. The video recording sounds somewhat muted compared to the audio. I wonder whether the addition of video makes it necessary to do more compression in order to transmit the data. Or is it just my ears deceiving me?

Great pianos, prep, and performances!

The Steingraeber take on the video is different than the one from the recording. The Bose might be as well. Pianist's preference. Also, I had to transfer the recordings without video slightly differently than the videos since you cannot directly upload a recording to YouTube and the Videos were not yet ready.

I have to agree. Listening to the Estonia 225 was a real eye opener to me. It certainly should be on everyone's list to try when shopping for a piano of this size.

Rich

Thank you so much Keith, this was fun. So my favorite was the Bosendorfer! Of course.
The reality is I’ll never get a Bösendorfer and I will never play as well as the pianist in those videos. But it is fun to dream.

Just accounting for first choices among those who voted in the initial thread:

Steingräber = 9 votes
Estonia = 9 votes
Bösendorfer = 6 votes

Most interesting results!

Regards,

I'm happy my suspicion about #2 being the Estonia was correct,


That bosie looks like an 80s bosie to me. I never guessed a Bosie would be one of the three, but, in wanting to be right I used the pianocraft lineup to decide there was probably a Steinway, an Estonia, and Steingraber. I was right about the Estonia sound, at least!

My favourite turned out to be the Bosie also. I didn't have the courage to actually guess though The only thing I was confident of was that there were no Yamaha's or Fazioli's in the mix. Easy to say now of course...

I favored #2; interesting that it is Estonia. The Steingraeber is different (more mellow) than the examples of the brand that I have heard on other vids. I like mellow, but I think--musically--the Estonia is probably easier to play (from the tone perspective).

Which goes to show that every piano must be considered as an individual. 😁

Very interesting, and thanks for this. I preferred the Bosendorfer and Estonia, which is a surprise to me. Never played a Steingraeber.

Keith,

Just wanted to thank you for taking the time to put this together for us. Most educational as well as entertaining.

Keith thank you so much for all the work you put into this very enlightening project. Jin's playing of "The Maiden...no4" was so instructional. Here's an interesting point: Comparing the Estonia 225 to my 210 on the same few measures of The Maiden, the scaling on the 210 is very different. The 210 is more focused with I feel a better treble/bass balance.
I'm usually very methodical with big decisions but I bought the 210 in an out of town showroom (with a plane to catch) after playing it for the first time for only 1/2 hour! The owner drove me in his car at breakneck speed to the airport. The only other major decision I've made at that quickly was when I first met my wife.....

I wonder if the performer had any insights on the instruments?

Keith, this has indeed been very interesting. Some comments if I may.

This is high level voicing at its best, the result of a collaboration between a pianist and technician where the whole is greater than the sum of the parts. It is informed by the perspective of each, and moves towards a common goal. This can be an immensely satisfying partnership for both pianist and technician.

The best voicers are more than a master of technique and the range of choices available to them. I think they must also be aestheticians, whereby they search for the beauty that lies within an instrument (sometimes hidden), have the ear to know when it is beginning to emerge, and then bring it towards its best voice. And so the collaboration with the artist begins.

I hear an overarching tonal aesthetic that is common to the three instruments. Certainly a desire for a brilliant and clear treble is one of them. That said, I believe the individuality of each instrument has been respected within the work, and they do sound different to my ear. Each has a different set of strengths.

Of the three, I think the Steingraeber is the better piano, but not the best voiced. I much favor the bass and tenor, but find the treble overly bright, even brittle in a few places, and somewhat discontinuous with the rest of the piano. To my ear, the Bosendorfer sounds the most of a piece, but lacks excitement. The Estonia is a revelation in how good it sounds, "better than it has any right to be."

I hope my comments do not come across as negative, as I greatly respect the quality of the work you have done. These are deliberate choices on the part of the technician and the artist here. They are not right or wrong. And the ears of piano voicers can be as different as those of musicians. I say the world is a better place when we have this variety.





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Keith:
Despite such wonders as the RCA Horowitz Barber Sonata and Cortot's Chopin recordings which sound so beautiful to me, in their very different ways, I believe a smaller sound is always easier to record, more microphone-friendly, just as it is in the vocal world.
Bosendorfers typically record very nicely and I stand by my preference for this particular recording (#3).
In a large concert hall, I think that I'd still want to play or hear a fine D.
Karl Watson,
Staten Island, NY