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chord progression question #2748995
07/03/18 10:27 AM
07/03/18 10:27 AM
Joined: Apr 2015
Posts: 243
I
iamanders Offline OP
Full Member
iamanders  Offline OP
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Joined: Apr 2015
Posts: 243
Desperado (Eagles) begins with G-G7-C-Cm6-G-E-A-D.
How would theory explain this Cm6 chord?
C leads to B, Eb to D. I guess what we are after is E-Eb-D but I am no theory or ear expert.
what is going on?

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Re: chord progression question [Re: iamanders] #2749111
07/03/18 06:19 PM
07/03/18 06:19 PM
Joined: Jul 2016
Posts: 33
equatorial asia
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krewster Offline
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krewster  Offline
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Joined: Jul 2016
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equatorial asia

Yes, chromatic-ism seems to always rule.

But it is also fun to focus just on the tri-tone embedded in that min6 chord. It is not the tri-tone of the song key’s dominant but putting the two together gives you the dominant’s acceptable diminished 7 chord.

Lots of RH improv fun can be had by switching back-forth among (or combining) the scales that would normally go with the normal dominant and this min6 chord in the iv position.

Re: chord progression question [Re: iamanders] #2749153
07/04/18 12:06 AM
07/04/18 12:06 AM
Joined: Nov 2006
Posts: 558
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Mike A Offline
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Mike A  Offline
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So.Cal.USA
Originally Posted by iamanders
Desperado (Eagles) begins with G-G7-C-Cm6-G-E-A-D.
How would theory explain this Cm6 chord?
C leads to B, Eb to D. I guess what we are after is E-Eb-D but I am no theory or ear expert.
what is going on?


Theory would probably consider the Cm6-to-G progression to be a minor plagal cadence, iv - I. The Cm6 has subdominant minor function. The iv chord is sometimes described as having been "borrowed" from the parallel natural minor scale, i.e, the G natural minor scale, in which the chord built on the fourth degree of the scale is minor (Cm) rather than major (Cmaj) as in the G major scale. This "borrowing" is also referred to as modal interchange.


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