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Originally Posted by WhoDwaldi
Originally Posted by vers la flan
Wow, Dasol Kim's Scriabin 4 is kind of extraordinary.


Yes, it is.

The medici.tv feed mentioned he'd already recorded a CD for DG. Hum.


I noticed that....kind of a big deal! But why isn't he listed on the DG website. (?) I see it on Amazon.

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Oh my gosh, his shirt. Just noticed it.

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Ethereal. His fingers are fairies dancing on the keys.

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I think Dasol has the most beautiful tone I've ever heard today. That coupled with his restrained approach to rubato and phrasing makes this op. 28 an outstanding performance so far.

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The anti-Shmukler. His fortes and fortissimos are rich, deep, and mellow.

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Man. I'm really liking these Preludes. What a refined temperament this guy has. So refreshing to hear after all the recent hackneyed and over dramatic versions (*cough cough* Trifonov *cough*).

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BRAVO!! Please, give this man a prize.

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Sorry I missed the Scriabin and the first half of the preludes. Sounds like he did well, but I not surprised at the comment about the lack of eroticism in the Scriabin. I'll be interested to hear it later.

I'm curious to hear Teo who I find no less capable but of a different temperament.

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Yeah, I'm kind of behind, haven't heard some of the competitors (missed all of the last day of preliminaries) but Dasol Kim is probably my frontrunner. That Scriabin 4 was probably the finest, most intricately detailed rendition I've heard. I understand the comment about lacking eroticism, though, but disagree in regards to the first movement. The second was highly structured and dance-like to be sure, but his clarity, color, balance, and texture make me give it a slide.

Those preludes were immaculate. His focus is uncanny. Almost freaky how unfazed he is by the pressure.

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Is it just me or was Teo's chord voicing uncommonly beautiful in Le Gibet?

Last edited by MikeN; 05/29/17 04:47 PM.
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Teo is impressing me today more than in the preliminary round, certainly.

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Yea, but I don't think he's planning on trying to go to the end. I kinda hope he doesn't advance. I feel like he'd be at risk for another Colafelice incident where his later works wouldn't be performance ready...but then maybe he was just having issues with Scarbo.

I don't know, I just know that I'm a little nervous. The Kapustin is going well though.

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This Kapustin is great.

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The Kapustin Variations were programmed by Alessandro Taverna in 2013 but I don't think he advanced to the semis to play them.

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If Teo advances to the semis, he'll be playing Rzewski's Winnsboro Cotton Mill Blues.

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MikeN--thank you for the link to the Ohlsson master class. So relieved I am not going to need to start pumping iron. LOL That really is the least of my worries after watching all these fabulous programs.

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Tristan Teo is among my 3 favorite (have to decide who's the third laugh ). Seriously, he is so charismatic! Loved his recital.

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Originally Posted by kcostell
If Teo advances to the semis, he'll be playing Rzewski's Winnsboro Cotton Mill Blues.



That's a joke? I've gone to check that... laugh

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Originally Posted by Albunea
Originally Posted by kcostell
If Teo advances to the semis, he'll be playing Rzewski's Winnsboro Cotton Mill Blues.



That's a joke? I've gone to check that... laugh


I think I remember that. grin

Edit: Yep!

Last edited by MikeN; 05/29/17 05:21 PM.
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Bartlett getting a back rub from one of the backstage Moms right now....! Will they rub feet too?

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