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Detail of agraffes, hammers of 1840's Pleyel piano #2502731
01/22/16 05:48 AM
01/22/16 05:48 AM
Joined: Jun 2007
Posts: 582
Italy
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acortot Offline OP
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http://youtu.be/vX6YjRrSLQo

This particular model was double-strung to low C

The hammers are covered with the original cashmire/rabbit felt

Last edited by acortot; 01/22/16 05:50 AM.

rhythm must be inborn - Alfred Cortot

An Article on the unusual makeup of original Pleyel hammers, during Chopin's lifetime:

http://acortot.blogspot.it/2012/07/pleyel-hammers-in-chopin-era-i-martelli.html

Max DiMario
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Re: Detail of agraffes, hammers of 1840's Pleyel piano [Re: acortot] #2502881
01/22/16 01:43 PM
01/22/16 01:43 PM
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London
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chopin_r_us Offline
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And how does one get to play on one of these rabbit felt pianos?

Re: Detail of agraffes, hammers of 1840's Pleyel piano [Re: acortot] #2502991
01/22/16 08:29 PM
01/22/16 08:29 PM
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Seattle, WA USA
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Ed McMorrow, RPT Offline
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Thank you for posting this.

I am curious about the repetition design of the action. Are there pictures of the action in profile? I have seen a Pleyel from sometime in the 1850's that used a thin piece of ivory about the size of a tail on a two-piece ivory key-top for a sort of repetition spring.


In a seemingly infinite universe-infinite human creativity is-seemingly possible.
According to NASA, 93% of the earth like planets possible in the known universe have yet to be formed.
Contact: Ed@LightHammerpiano.com
Re: Detail of agraffes, hammers of 1840's Pleyel piano [Re: acortot] #2503026
01/22/16 10:35 PM
01/22/16 10:35 PM
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Re: Detail of agraffes, hammers of 1840's Pleyel piano [Re: acortot] #2503079
01/23/16 04:01 AM
01/23/16 04:01 AM
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Philadelphia area
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Dave B Offline
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Interesting contrast to the modern Pleyel piano. Many similarities in sound and design. This recording is worth all eleven minutes of listening.

https://www.youtube.com/watch?v=SdsYfnuIvxU



Enjoy.


"Imagine it in all its primatic colorings, its counterpart in our souls - our souls that are great pianos whose strings, of honey and of steel, the divisions of the rainbow set twanging, loosing on the air great novels of adventure!" - William Carlos Williams
Re: Detail of agraffes, hammers of 1840's Pleyel piano [Re: acortot] #2503329
01/23/16 10:16 PM
01/23/16 10:16 PM
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Austin, Texas USA
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Blues beater Offline
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It sounds "tubby" and "clunky" and not very pleasant to me, but could be the recording. More historical interest than something I like to hear.

Don


Don, playing the blues in Austin, Texas on a 48" family heirloom Steinway upright, 100 year old 54" Weber upright, unknown make turn of the century 54" upright -- says "Whittier NY" on the plate, Starr, ca. 100 years old full size upright.
Re: Detail of agraffes, hammers of 1840's Pleyel piano [Re: acortot] #2503388
01/24/16 05:54 AM
01/24/16 05:54 AM
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Italy
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acortot Offline OP
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Compared to a modern piano the sound is a little tubby, the soundboard does have a specific resonance in the low midrange

The action is a sturdier version of the simple english action with no repitition.

Any repitition mechanism you would see on a pleyel made before 1860 or so is a retrofit done decades later.
Erard, on the other hand, already had the double escapement action like today's (minus the screw installed by Hertz as an improvement) by 1830 or so


Chopin r us, if you would like to play it it is a couple of hours south of Paris as I am keeping it at a friend's who has a collection of them along with other pianos

Mine is on sale as I can't afford a bigger apartment in Paris. He also has other rare pleyels but unrestored


rhythm must be inborn - Alfred Cortot

An Article on the unusual makeup of original Pleyel hammers, during Chopin's lifetime:

http://acortot.blogspot.it/2012/07/pleyel-hammers-in-chopin-era-i-martelli.html

Max DiMario
Re: Detail of agraffes, hammers of 1840's Pleyel piano [Re: acortot] #2503391
01/24/16 06:00 AM
01/24/16 06:00 AM
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Posts: 582
Italy
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acortot Offline OP
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http://youtu.be/WWKl6e5BU8s

Here is a better recording of it.

I believe the role of a piano like this is to inform pianists and technicians as to what the aesthetic that Chopin and his contemporaries experienced when playing a piano of the time.

The sound is quite quiet and domestic-sounding. Not at all a theatre instrument.

The notes melt one into the other, which for a low-tension scale like this is quite difficult, in a way

With today's technology you could take that aesthetic and perfect it I am sure.


rhythm must be inborn - Alfred Cortot

An Article on the unusual makeup of original Pleyel hammers, during Chopin's lifetime:

http://acortot.blogspot.it/2012/07/pleyel-hammers-in-chopin-era-i-martelli.html

Max DiMario
Re: Detail of agraffes, hammers of 1840's Pleyel piano [Re: Bosendorff] #2503393
01/24/16 06:04 AM
01/24/16 06:04 AM
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acortot Offline OP
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Originally Posted by Bosendorff


This one has been restored with the wrong felt, even though the model is the same, and you can hear the difference.

In a way the restoration with dense wool felt aims to make the piano sound similar to a modern one, but the tension is not enough IMO to get a good modern tone out of it

Last edited by acortot; 01/24/16 07:36 AM.

rhythm must be inborn - Alfred Cortot

An Article on the unusual makeup of original Pleyel hammers, during Chopin's lifetime:

http://acortot.blogspot.it/2012/07/pleyel-hammers-in-chopin-era-i-martelli.html

Max DiMario

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