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#2297853 07/02/14 06:36 PM
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Russian composers are well known for writing great melodies, and I would like to hear what some of your favorites are. I predict that this will be a good thread. smile

A few to start us off:

Tchaikovsky, 1st piano concerto. 8:23 here:


Rachmaninoff, 1st piano concerto. 2:54 here:


Glazunov, The Seasons. 6:35 here:


Scriabin, Piano Concerto. 18:02 here:


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I don't know why you're so infatuated with that melody...

Here's another: Scriabin, Fantasy, Opus 28. 1:51:


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Because it's a great melody.

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Don't forget the Scriabin etude.

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16:00

This piece is wonderful for sightreading.

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For those who don't know, it's the Feuillet d'album, Opus 45/1. Thanks, Francisco.


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Does this win for "longest melody?"



11:04 to 11:48; and 16:19 to 17:05. A bit long for a goldfish brain, but I packed it in!


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I'm a big fan of this one, in a Jewish-ish idiom. Lovely Andantino after all the flat sevenths of the first movement. laugh

Last edited by TheFool; 07/02/14 08:03 PM.

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I never knew Volodos was such an over-emoting annoyance.

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Prokofiev piano sonata 2, 1st movement, 2nd theme


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Prokofiev, Romeo & Juliet, Dance of the Knights


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"A good intention but fixed and resolute - bent on high and holy ends, we shall find means to them on every side and at every moment; and even obstacles and opposition will but make us 'like the fabled specter-ships,' which sail the fastest in the very teeth of the wind."
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Here's a few more from Rach 1. 3:45 here - a beautiful passage from the cadenza. And just listen to that perfectly crafted left hand. The accompaniment is an essential component of any great melody, a fact most pianists seem not to be aware of.


Of course, there is the second movement's theme. And then - it is not precisely a melody, in the way that the others are, but I've always been very fond of this particular little passage from the finale. 1:12:


Rachmaninoff's interpretation, of course, is definitive.


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Originally Posted by Atrys

Obligatory indeed, and I would add both of that prelude's neighbors, #4 and #6.


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Originally Posted by Polyphonist
Originally Posted by Atrys

Obligatory indeed, and I would add both of that prelude's neighbors, #4 and #6.


Ah yes, of course, the Fur Elise of the intermediate pianist . . . .


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Originally Posted by Parks
Prokofiev piano sonata 2, 1st movement, 2nd theme


You beat me to it! I just love Scriabin's spacious melodies...
Originally Posted by JoelW
I never knew Volodos was such an over-emoting annoyance.

Whaaat?

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Medtner, so far, has escaped mention. Let me cite two passages in particular from his 2nd piano concerto. 1:44 here:


And 5:37 here. I stress this episode not so much for the melody itself, but for the beautiful passagework in the piano which surrounds it, giving it its fairylike aura. Again, the accompaniment is an essential component of a melody. In a slightly off-topic vein, I think this entire movement is about a journey - a journey through fantasy-land. Perhaps the main reason for its very undeserved unpopularity is that most people fail to realize this. It is a very fun movement to play and to listen to, but one has to adopt a certain creative, even childlike, mentality.


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Originally Posted by Parks
Originally Posted by Polyphonist
Originally Posted by Atrys

Obligatory indeed, and I would add both of that prelude's neighbors, #4 and #6.

Ah yes, of course, the Fur Elise of the intermediate pianist . . . .

Didn't want to make that comment and stir up the pot with Atrys. whistle

"Fur Elise of the intermediate pianist" - I would have thought the dreaded FI would take that spot. ha


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Polyphonist
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