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Originally Posted by currawong
Originally Posted by Orange Soda King
Originally Posted by BruceD
I suppose it's pointless to ask why Mr. Podesta feels an obligation to hijack this thread!

What lack of consideration for the OP!

I agree. Ugh.
And so do I.

Add another to the list.


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Polyphonist
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Originally Posted by Polyphonist
Originally Posted by currawong
Originally Posted by Orange Soda King
Originally Posted by BruceD
I suppose it's pointless to ask why Mr. Podesta feels an obligation to hijack this thread!

What lack of consideration for the OP!

I agree. Ugh.
And so do I.

Add another to the list.

I agree. Especially without even a passing reference to having listened to Andy's recording.

And the comments, in this particular case, were way off. Not to perpetuate, but Wild rolled only one chord the entire piece. It seems odd to interject for the sake of one chord in an entire piece, without mentioning the original performance in the thread. And I also find it surprising that "most people" wouldn't know these were violin transcriptions, given the constant reminder in the title.


Andy, I don't remember if I commented earlier in the thread, but I did listen to your performance, and enjoyed it very much. Please continue to contribute! smile


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Bravo to Andy!

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Originally Posted by Derulux
Originally Posted by Polyphonist
Originally Posted by currawong
Originally Posted by Orange Soda King
Originally Posted by BruceD
I suppose it's pointless to ask why Mr. Podesta feels an obligation to hijack this thread!

What lack of consideration for the OP!

I agree. Ugh.
And so do I.

Add another to the list.

I agree. Especially without even a passing reference to having listened to Andy's recording.

It's been a long time since Podesta's listened to any of the recordings in the threads he's posted on, let alone posted anything remotely helpful on said threads.


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Originally Posted by Louis Podesta


What a lot of folks don't remember about these pieces is that they were piano transcriptions of violin works. And, they were written and performed by a man who, in terms of modern vernacular, "let it all hang out." That is the spirit this particular performer brings to these compositions.

http://www.youtube.com/watch?v=JTS4NV4qr-k


You betchum believe I viewed and listened to his performance. That is why I posted what I did.

There are, with the exception of Erin and myself, many who post on this forum who espouse the Urtext world of note perfect pearly and refined playing. However, as shown by Mr. Wild, and those who came before him, this is not the style this piece was written in or performed.

The goal is supposed to be the production of great music akin to the way the piece was originally composed and played. It is not flawless technically perfect playing which is what the OP has presented.

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Originally Posted by Louis Podesta
The goal is supposed to be the production of great music akin to the way the piece was originally composed and played. It is not flawless technically perfect playing which is what the OP has presented.

I agree, except that the OP has not presented flawless playing in any way.


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Polyphonist
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Originally Posted by Louis Podesta
It is not flawless technically perfect playing which is what the OP has presented.


You can certainly say that again, although the OP's playing is not without any flaws! I'll listen to Andy again before I listen to Earl.

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Originally Posted by Damon

You can certainly say that again, although the OP's playing is not without any flaws! I'll listen to Andy again before I listen to Earl.


thumb Me too!


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I've come to loathe "La Campanella" over the years and thanks to Podesta I've begun to find the mere mention of Earl Wild's name to be quite irritating.
That said, Mr. Eggertsberger, fine job.



"And if we look at the works of J.S. Bach — a benevolent god to which all musicians should offer a prayer to defend themselves against mediocrity... -Debussy

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Emphasis added:

Originally Posted by stores
I've come to loathe "La Campanella" over the years and thanks to Podesta I've begun to find the mere mention of Earl Wild's name to be quite irritating.
That said, Mr. Eggertsberger, fine job.


Andy, if you are following this thread since Podesta crashed the party with his non-sequitur, I hope you know that getting "fine job" from stores is very, very high praise, indeed! That means that stores listened to it, which is RARE, and that it was good enough to merit his attention, which is GOOD ON YOU, MATE!, and if it matters to you that a sensitive listener appreciates your playing, well, you've just been appreciated, big time!

Please share more of your performances as they become available!


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Andreas's performance is by far better than Earl Wild's - more musically conceived, and less technical errors as well. Well done Andreas, truly fantastic and your musical approach to this piece is refreshing to hear.


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Originally Posted by Andy001
Here is a life recording of La Campanella.

http://www.youtube.com/watch?v=gRQgvGikVWM


Great job!

While I'm not a fan of this particular etude but your playing and the work spent in preparing this performance is splendid!

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Thank you all very much!

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Excellent playing. You should be very proud!

Last edited by DanS; 11/01/13 07:33 AM.
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Bravo +1. And welcome to the forum.

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Bravo! Also from me. Nice playing!

Haven't heard Schubert yet, but I certainly will.

Thank you for sharing.


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Originally Posted by stores
I've come to loathe "La Campanella" [...]
That said, Mr. Eggertsberger, fine job.

Agreed. Good job, OP. You did very well, but I must say -- I'd be more than fine if I never heard this piece again.

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It's not as bad as all that, although it is definitely nowhere close to Liszt's best work, and is very overplayed.


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Originally Posted by Polyphonist
It's not as bad as all that, although it is definitely nowhere close to Liszt's best work, and is very overplayed.


I agree with you. But if I hear it played very well, and don't hear it too often, I find it enjoyable (and rather charming, too).

I like it more than the other Paganini Etudes, though.

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