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bennevis #2087429 05/23/13 01:48 PM
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Originally Posted by bennevis

Like all the best atonal music, Barber never lets atonalism get in the way of the emotion and the message he wants to convey.


I you will permit me, one could say the same for all music.

bennevis #2087490 05/23/13 03:09 PM
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Originally Posted by bennevis
If you're looking for a well-known piano sonata that use serial techniques and atonality, Barber's Sonata is one of the best. (Horowitz and Browning are notable exponents of it).

Like all the best atonal music, Barber never lets atonalism get in the way of the emotion and the message he wants to convey.


Barber is never atonal for a second. The whole piece has constant pedal points to remind you of exactly where you are.

beet31425 #2087581 05/23/13 06:08 PM
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Originally Posted by beet31425
Originally Posted by The Hound
Interesting thread. I'm going to my first recital involving atonal music next month - Marc-Andre Hamelin playing Ives's Concord Sonata (he's also doing Brahms Op. 5, so it should be a nice mix).

I've heard Hamelin in concert perform the Concord. It was one of the best musical experiences of my life.

My advice for a "full appreciation" of the Concord is to listen to a recording, actively, many times. This sonata actually only plays with atonality; as is often the case with Ives, traditional folk tunes and hymns are always poking their heads in. As well as the opening motif to Beethoven's fifth symphony.

Start with the third movement, which is 95% tonal and 100% accessible. Go on to the second and fourth movements, which are harder to conceptualize, but wild and serene, respectively. The first movement is by far the most imposing and austere. But even that movement has some moments of lonely beauty appreciable even on a first listening, as well as sheer rugged greatness that makes itself felt after some familiarity.

-J


Thanks for that. Will definitely give it a few listens before I go.


Working on:
Beethoven - Piano Sonata No. 21 in C major, Op. 53 ("Waldstein")
Chopin - Op. 9 No. 3 in B major
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Steingraeber B-192
Kawai CA97
bennevis #2088451 05/25/13 07:26 AM
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Originally Posted by bennevis


Like all the best atonal music, Barber never lets atonalism get in the way of the emotion and the message he wants to convey.


As arch-conservative tonal composer Saint-Saens pointed out, using music to convey emotion and a message is not a necessary function of music, although doing that will appeal to the amateurs.

It's never occurred to me that "the best" atonal music was characterized by conveying emotion or any message other than the music itself. Which is not to say that it cannot convey those things - I'm not the kind of purist that denies that music can do that.

But-

Just like finding beauty and interest in the natural world (which could care less about my emotional response to it), I am quite happy when music is simply intriguing or beautiful or catches my interest in almost any way.

wr #2088494 05/25/13 10:34 AM
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Originally Posted by wr
Just like finding beauty and interest in the natural world (which could care less about my emotional response to it)[...]


I couldn't care less about how much you could care less. wink

JoelW #2088509 05/25/13 11:11 AM
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Of all Americanisms, that is definitely one of the ones I 'could' care less about.

wr #2088520 05/25/13 11:43 AM
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Originally Posted by wr

As arch-conservative tonal composer Saint-Saens pointed out, using music to convey emotion and a message is not a necessary function of music, although doing that will appeal to the amateurs.

It's never occurred to me that "the best" atonal music was characterized by conveying emotion or any message other than the music itself. Which is not to say that it cannot convey those things - I'm not the kind of purist that denies that music can do that.


Just like finding beauty and interest in the natural world (which could care less about my emotional response to it), I am quite happy when music is simply intriguing or beautiful or catches my interest in almost any way.


Personally, I couldn't care less (i.e. I could care more, but don't give a dam*) what composers choose to write. After all, one could throw dice and write 'music' based on the notes they come up with.....er, oops, it's already been done grin.

Plenty of amateurs - me included - write music purely to please themselves. In the natural world, birds sing for a reason, but leaves rustle for none at all....


If music be the food of love, play on!
JoelW #2088576 05/25/13 01:15 PM
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The reason leaves rustle is because the wind blows them.

debrucey #2088628 05/25/13 03:37 PM
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Originally Posted by debrucey
The reason leaves rustle is because the wind blows them.


Touché wink

Here's something to entertain all who love the rustle of leaves in spring (and nice tunes and recognizable harmonies grin) ......
http://youtu.be/lvT2vU-z7kA


If music be the food of love, play on!
bennevis #2088777 05/25/13 07:31 PM
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Originally Posted by bennevis
Originally Posted by wr

As arch-conservative tonal composer Saint-Saens pointed out, using music to convey emotion and a message is not a necessary function of music, although doing that will appeal to the amateurs.

It's never occurred to me that "the best" atonal music was characterized by conveying emotion or any message other than the music itself. Which is not to say that it cannot convey those things - I'm not the kind of purist that denies that music can do that.


Just like finding beauty and interest in the natural world (which could care less about my emotional response to it), I am quite happy when music is simply intriguing or beautiful or catches my interest in almost any way.


Personally, I couldn't care less (i.e. I could care more, but don't give a dam*)


Uh-oh, I don't normally make that mistake. Or at least I think I don't. Aarrgghh!!

JoelW #2088787 05/25/13 07:41 PM
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[video:youtube]om7O0MFkmpw[/video]

JoelW #2088801 05/25/13 08:06 PM
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lol

wr #2088954 05/25/13 11:58 PM
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Originally Posted by wr
Originally Posted by bennevis
Originally Posted by wr
....Just like finding beauty and interest in the natural world (which could care less about my emotional response to it)....
Personally, I couldn't care less (i.e. I could care more, but don't give a dam*)
Uh-oh, I don't normally make that mistake. Or at least I think I don't. Aarrgghh!!

I have good news for WR.....although he probably won't know it because he usually honors me with the Ignore feature. ha

And even if he sees this, he probably could care less. grin

Point: Contrary to the quasi-pedantic view that has become widespread, there is nothing incorrect about "could care less."

Here's the deal: It is a sarcasm.

Example: Your friend sits down at the piano and plays some atonal music. You hate it. So you say, "Yeah, I love it." Sarcastically.

Then, let's say, he says, "Just for that I won't play for you any more." So you say, "I could care less."

Sarcastically. smile
Just like you said yeah I love it.

Just as "Yeah, I love it" wasn't a mistaken version for "I hate it," but a sarcasm, likewise "I could care less" wasn't a mistaken version of "I couldn't care less."

And here's what supports the idea that this is in fact where people are coming from when they say "I could care less": What is their TONE? Is it not sarcastic? Almost invariably sarcastic? I think it is. It is rarely said in the matter-of-fact tone in which they would say "I couldn't care less." So, WR, you did right fine.

Thank you very much. grin

JoelW #2088955 05/26/13 12:00 AM
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hahaha!

I think that this video can close this thread in a loving way! LOL

JoelW #2088961 05/26/13 12:06 AM
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LOL


Charles Peck (American)--Metropolitan
Debussy--various pieces
Grieg--various pieces
JoelW #2089020 05/26/13 05:20 AM
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That is a totally ridiculous justification of a phrase which is simply a nonsensical mutation. There's no sarcasm implied, its just that the n't syllable has been dropped the same way the i sound has been from aluminium, though in the case of the latter at least the entire point of the word hasnt been subverted.

Last edited by debrucey; 05/26/13 05:23 AM.
debrucey #2089049 05/26/13 07:36 AM
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Originally Posted by debrucey
That is a totally ridiculous justification of a phrase which is simply a nonsensical mutation. There's no sarcasm implied, its just that the n't syllable has been dropped the same way the i sound has been from aluminium, though in the case of the latter at least the entire point of the word hasnt been subverted.


I've never even spelled aluminum with the i in it. I don't think many Americans do. I agree otherwise.

Damon #2089058 05/26/13 08:09 AM
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Originally Posted by Damon

I've never even spelled aluminum with the i in it. I don't think many Americans do. I agree otherwise.


No, it ain't not right, nohow.


If music be the food of love, play on!
debrucey #2089128 05/26/13 11:03 AM
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Originally Posted by debrucey
That is a totally ridiculous justification of a phrase which is simply a nonsensical mutation. There's no sarcasm implied, its just that the n't syllable has been dropped the same way the i sound has been from aluminium, though in the case of the latter at least the entire point of the word hasnt been subverted.

I think you didn't even think much about it before saying that. grin

You could argue that it's not necessarily right, but you're wrong that it's ridiculous.

Take another look (if you feel like it), and think closely about what was explained. If you still think it's ridiculous, you'll still be wrong. ha

Do you disagree that it could make sense that this is how it FIRST got said?

Do you disagree that people who say it usually say it with a more sarcastic tone than those who say "couldn't care less"?


If you mean that people who say it are rarely thinking of it that way, I don't necessarily disagree.

JoelW #2089138 05/26/13 11:24 AM
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I've only ever heard it said on television because I don't live in America, but I've only ever heard it said with an intonation that implies what they mean is 'I could not care less', with no hint of sarcasm.

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