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Teodor: Beautiful performance! Even I've heard this piece many time, I still find that your performance is very emotional, bring pleasant atmosphere...

Recoding could be better, I think.


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Teodor....That was really nice.


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mattroilanh: The greenleeves is very good. The Timing is very stable. The memory is well played. Do you play with pre-arranged music sheet? I would suggest you try to re-arrange it. For example, alter the left hand pattern, add fills and runs.
Allard: Tne Einaudi piece is very nice.
ElleC: The Burgmuller etude is very smooth. Musette is very nice.
Teodor: The Final Fantasy X is very nice.



Working on:\

J.S.Bach Prelude in C Min: No. 2 from Six Preludes fur Anfanger auf dem
Am Abend No. 2 from Stimmungsbilder, Op. 88
60s Swing No. 1 from Swinging Rhythms
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This is my another submission for April:

Morning from Music for Children,
S. Prolofiev



Working on:\

J.S.Bach Prelude in C Min: No. 2 from Six Preludes fur Anfanger auf dem
Am Abend No. 2 from Stimmungsbilder, Op. 88
60s Swing No. 1 from Swinging Rhythms
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Teodor: To Zanarkand remains a favourite smile Do you play by ear? It sounds like the OST version, but you add your own ending flourish and don't go into the repeat (which deftly evades the hard part, hehe). I'd play it a bit slower so you can get a steadier tempo.


David Lanz - Skyline Firedance Suite
Nobuo Uematsu - Final Fantasy 7 Main Theme
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Originally Posted by Weiyan
mattroilanh: The greenleeves is very good. The Timing is very stable. The memory is well played. Do you play with pre-arranged music sheet? I would suggest you try to re-arrange it. For example, alter the left hand pattern, add fills and runs.


Actually, I have never re-arranged the music sheet before. Maybe, it is above my current ability. I have to use pre-arranged sheet by someone else. I may re-arrange and/or play more difficult version when my music theory and piano technique improve ^^


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Originally Posted by Allard
Teodor: To Zanarkand remains a favourite smile Do you play by ear? It sounds like the OST version, but you add your own ending flourish and don't go into the repeat (which deftly evades the hard part, hehe). I'd play it a bit slower so you can get a steadier tempo.


The tempo changes too much but that's just the way I felt it. I would play it differently each time I try depending on the mood. Sometimes I can't get into this piece at all other times it moves me a lot. This time I was somewhere in the middle between not caring and, "I have to record this on the grand piano"

I used the sheet music I have, it doesn't have a hard part. I know the version you talk about and I don't have the time to master that one. It would take months and it's not worth the time right now because I have to play a ton of other things which are not modern music, so this has no relation at all.

Last edited by Teodor; 04/23/13 05:43 AM.

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Teodor, I enjoyed the musicality of your playing. For selfish reasons my attention was caught by how you were playing. I remember some years ago you got off to a bad start, with injury to your hands that stopped you playing for a number of months. Here I see fluid, well coordinated movements. I'm at the beginning of that journey and still working a lot of things out with my teacher. At the time, did you work specifically on such things with your teacher? I remember you got a new one after those problems. It was a pleasure watching you, in addition to hearing.

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Thank you for all the nice comments, I didn't expect so many. Thank you!!!


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Always a pleasure to hear you play Teodor


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Weiyan - Morning - you are accumulating quite a repertoire.


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Originally Posted by Newman
Always a pleasure to hear you play Teodor


Thank you!


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Originally Posted by Weiyan
This is my another submission for April:

Morning from Music for Children,
S. Prolofiev


Weiyan, I'm curious about your piano. Do you leave it exposed for recording?


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Weiyan D`ya manage to play this from memory? I see no music; I see no music stand . . .

Last edited by peterws; 04/24/13 02:23 PM.

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Originally Posted by peterws
Weiyan D`ya manage to play this from memory? I see no music; I see no music stand . . .


Yes, he does it all from memory - pretty impressive.


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Originally Posted by ElleC
Originally Posted by Weiyan
This is my another submission for April:

Morning from Music for Children,
S. Prolofiev


Weiyan, I'm curious about your piano. Do you leave it exposed for recording?


If possible, I like to practice without cover. Its more sensitive touch. The only reason to cover the piano is for the music stand. So when I remember the music and ready for recording, then practice without cover. Grand piano always play without cover.


Working on:\

J.S.Bach Prelude in C Min: No. 2 from Six Preludes fur Anfanger auf dem
Am Abend No. 2 from Stimmungsbilder, Op. 88
60s Swing No. 1 from Swinging Rhythms
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Just popping in before the month spins to a close, to comment on the latest submissions. Unfortunately only going back to the last three and probably won't get an opportunity to do more listening, but keep up the good work folks.

Inlanding/Glenn, so much fun listening to your improvisation (Icy patch, if you've been serving more than one "drink" in this month's bar.) This is one kind of music I'd like to learn to play.

Teodor, beautiful playing.

Weiyan, impressive how you play your pieces from memory. Although it probably doesn't make any difference for the playing whether the piano is closed or open, I for one feel a piano looks a bit naked without the overbuild.

If I had the luxury to have the real thing (which I unfortunately don't and my circumstances don't allow it at the moment), I'd keep it closed. One thing I like about pianos is that, in addition to the beautiful sound they make, they also serve as pretty furniture.


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Teodor that was lovely. I have been so busy lately and regret I had not been keeping up with the posts and this thread. I shall make sure I follow the next piano bar as it is so nice to listen to everyone's playing.

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Originally Posted by casinitaly


I had been hoping to put this piece in the March Piano bar, but as Saranoya just submitted it a short while ago, I thought I'd join in April's thread.
My version didn't have the trills written in, therefore I studied it without trills. That's how I recorded it. (I'll probably work on adding in the trills later, but it will take some training!)

I'd been having some difficulty getting recorded - and even just playing through without errors.... finally realized (with the help of others) that at least part of the problem was trying to speed up after having practised at a slower tempo.
So... I did a few takes, and though one was probably better in terms of no-flubs, this one has better dynamics and the flubs are not horrifying smile

I present my efforts on Handel's "Impertinence".

https://www.box.com/s/3asnxdooytlm44q2rfob



Well played casinitaly- didn't hear any flubs.

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Originally Posted by Newman
Originally Posted by peterws
Newman

Unique blend o` Lennon-McCartney. You`re an ole romantic at heart. Great song. Wish I`d wrote it meself . .. .the ending was enigmatic.


Yes, Neil Finn can be very Lennon-McCartney (probably why I like him). And yes, wish I'd written it too (or perhaps Don't Dream It's over, for the royalties. Ans yes, probably am an old romantic ... for me it's about melody.


Really like your voice and playing- better than most of today's recording "artists" in the pop charts!

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