Welcome to the Piano World Piano Forums
Over 2.5 million posts about pianos, digital pianos, and all types of keyboard instruments
Join the World's Largest Community of Piano Lovers (it's free)
It's Fun to Play the Piano ... Please Pass It On!

SEARCH
Piano Forums & Piano World
What's Hot!!
Posting Pictures on the Forums
-------------------
Forums RULES & HELP
-------------------
ADVERTISE on Piano World
(ad)
Piano Tuning
How to Tune Pianos
(125ad)
Piano Life Saver - Dampp Chaser
Dampp Chaser Piano Life Saver
(ad)
Piano Buyer Guide
Piano Buyer Spring 2017
(ad)
4th Finger Enigma Resolved!
Schumann's 4th Finger Enigma Resolved!
Who's Online Now
48 registered members (Agent88, accordeur, AccidentalDavid, AndyP, andyhuang, 9 invisible), 797 guests, and 2 spiders.
Key: Admin, Global Mod, Mod
(ad)
Estonia Pianos
Estonia Pianos
Quick Links to Useful Piano & Music Resources
Our Classified Ads
Find Piano Professionals-

*Piano Dealers - Piano Stores
*Piano Tuners
*Piano Teachers
*Piano Movers
*Piano Restorations
*Piano Manufacturers

Quick Links:
*Advertise On Piano World
*Free Piano Newsletter
*Online Piano Recitals
*Piano Recitals Index
*Piano & Music Accessories
*Live Piano Venues
*Music School Listings
* Buying a Piano
*Buying A Acoustic Piano
*Buying a Digital Piano
*Pianos for Sale
*Sell Your Piano
*How Old is My Piano?
*Directory/Site Map
*Virtual Piano
*Music Word Search
*Piano Videos
*Virtual Piano Chords & Scales
Previous Thread
Next Thread
Print Thread
Page 2 of 2 1 2
#2046904 - 03/12/13 10:29 AM Re: Concerto Analysis [Re: Polyphonist]  
Joined: Sep 2010
Posts: 2,285
FarmGirl Offline

Silver Supporter until Jan 02 2013
FarmGirl  Offline

Silver Supporter until Jan 02 2013


Joined: Sep 2010
Posts: 2,285
Scottsdale, AZ
Me too. How exciting.



1) Bach c minor fantasy
2) Beethoven sonata g major 14 No. 2 (re do)
3) Chopin a flat major Ballade (schubert Impromptu A flat D935 No2)
4) Scriabin op11 prelude #2 and #14 (Re do #2, new #14)
5) Bartok. 4 old tunes and Scherzo)
(ad)
Piano & Music Accessories
piano accessories music gifts tuning and moving equipment
#2046958 - 03/12/13 12:08 PM Re: Concerto Analysis [Re: Polyphonist]  
Joined: Jul 2011
Posts: 3,006
dire tonic Offline
3000 Post Club Member
dire tonic  Offline
3000 Post Club Member

Joined: Jul 2011
Posts: 3,006
uk south
I might not be able to stay the course or contribute but I'll certainly be following as far as I can.

#2047486 - 03/13/13 06:32 AM Re: Concerto Analysis [Re: PianoStudent88]  
Joined: Mar 2013
Posts: 4
Elizium Offline
Junior Member
Elizium  Offline
Junior Member

Joined: Mar 2013
Posts: 4
UK
Originally Posted by PianoStudent88
I heard Daniil Trifonov play the Tschaikovsky First Piano Concerto last fall, so that's my current concerto love at the moment. But I'm up for anything.


I heard Daniil Trifonov playing Prokofiev's concert 1. It was such a brilliant performance! One of my favourite pianists now.

#2047606 - 03/13/13 11:37 AM Re: Concerto Analysis [Re: Polyphonist]  
Joined: Mar 2013
Posts: 9,224
Polyphonist Offline
9000 Post Club Member
Polyphonist  Offline
9000 Post Club Member

Joined: Mar 2013
Posts: 9,224
New York City
Stay on topic please... wink


Regards,

Polyphonist
(ad ) MusicNotes.com
sheet music search
#2047613 - 03/13/13 11:58 AM Re: Concerto Analysis [Re: Polyphonist]  
Joined: Jun 2011
Posts: 4,094
PianoStudent88 Offline
4000 Post Club Member
PianoStudent88  Offline
4000 Post Club Member

Joined: Jun 2011
Posts: 4,094
Maine
Right, we're only discussing second piano concertos right now, not first piano concertos laugh.


Piano Career Academy - Ilinca Vartic teaches the Russian school of piano playing
Musical-U - guidance for increasing musicality
Theta Music Trainer - fun ear training games
#2047924 - 03/13/13 11:00 PM Re: Concerto Analysis [Re: Polyphonist]  
Joined: Mar 2013
Posts: 9,224
Polyphonist Offline
9000 Post Club Member
Polyphonist  Offline
9000 Post Club Member

Joined: Mar 2013
Posts: 9,224
New York City
All right, I'm going to post a brief overview of the exposition of the first movement of the Chopin F minor concerto. This is not in any way intended to be a detailed or complete analysis.

Bars 1-70:
Orchestral introduction to the movement. The main themes are introduced. In the last few bars of this introduction there are hushed half-diminished chords, alternating voicings (look at the score and you'll see what I mean). This prepares the listener for the entrance of the piano.

Bars 71-74:
The piano has its own little introduction, leading into

Bars 75-82:
Statement of the first theme from the piano, with a little ornamentation.

Bars 83-100:
More of the thematic material, a little bit of development. Gains momentum near the end of the passage.

Bars 101-104: Interlude with a gradual ascending figure from the piano, and then a fast descending figure (again, look at the score). Leads into

Bars 105-112:
Another key melody, this time woven between sixteenth notes (semiquavers) in the RH. Near the end of the passage, the piano gets more arpeggiated figures, in a gradual crescendo to

Bars 113-114
Ascending figure similar to that in 101-103.

Bars 115-124
Passage similar to the preceding one (105-112). Arpeggios near the end lead into A flat major for the next theme...

Bars 125-140
Theme in major in the piano. with slight ornamentation.

Bars 141-147
Quite a bit of ornamentation, with fast runs (a couple of them are 18 against 4, again look at the score for details).

Bars 148-150
I isolated these few bars because they contain a major transition: the small notes in the piano at the end of bar 148, and the simple but effective following two bars, solidifying the new C minor tonality.

Bars 151-168
As I mentioned earlier in the thread, my favorite bars of the piece. The modulation of keys is as follows:
C minor-G minor-D minor-A minor-E minor-D major/minor (you'll see what I mean when you look at the score)-A flat, not counting small transitions.
The section from 165-168 is particularly lovely.

Bars 169-172
Running bass line against RH melody in chords. Modulates back to F minor.

Bars 173-174
Descending arpeggio figures in the RH, transitioning back once again to C minor. Again, look at the score for details.

Bars 175-178
The same 1-bar ascending figure used in successively higher octaves; once you learn it, you can play those whole 4 bars.

Bars 179-180
Trills/tremolos in both hands, concluding the exposition.

Performance tip: For these two bars, the RH is written as a trill on the D and Eb, with a sixteenth-note tremolo going on at the same time between the B natural and G around it (look at the score, otherwise you won't know what I'm talking about). This is performed by doing a tremolo between the thirds Eb-G and B natural-D, so you get the trill between the bottom note of the first third and the top note of the second third, and the tremolo between the top note of the first one and the bottom note of the second one. If that doesn't make sense to you please don't hesitate to tell me and I'll try to be clearer. I don't do a very good job explaining musical concepts in words... wink


Regards,

Polyphonist
#2049199 - 03/16/13 03:54 PM Re: Concerto Analysis [Re: Polyphonist]  
Joined: Mar 2013
Posts: 9,224
Polyphonist Offline
9000 Post Club Member
Polyphonist  Offline
9000 Post Club Member

Joined: Mar 2013
Posts: 9,224
New York City
What happened to the thread? wink

Nobody has posted for days for some reason, it seems like there were a lot of contributors before. Did people not realize I posted the Chopin concerto analysis in my last post? wink


Regards,

Polyphonist
#2049392 - 03/16/13 10:40 PM Re: Concerto Analysis [Re: Polyphonist]  
Joined: Nov 2009
Posts: 21,584
Mark_C Offline
Yikes! 10000 Post Club Member
Mark_C  Offline
Yikes! 10000 Post Club Member

Joined: Nov 2009
Posts: 21,584
New York
I think there are a few issues. As I indicated early on, I thought the thread wasn't well defined. When it did start becoming clear what you had in mind, it wasn't really what would be called "analysis," so, the title is misleading. Sure, it's within a broad definition of the word but it's not really what we think of as analysis. I think the title might tend to scare away the people who might want to do what you want to do, and at the same time, the actual content just wouldn't interest people who might come on here looking for real "analysis." This is more like a cross between play-by-play and program notes. Nothing wrong with that -- but it's not well-described by the title. For this, maybe you'd do better starting a new thread and calling it something more in line with what it is.

I think another problem was that it wound up being about two concertos. One at a time makes more sense. (I know that it was Kreisler who suggested doing two, which I thought was a mistake, including because at that time it wasn't even clear what we were supposed to be doing.)

The admonition to "Stay on the topic" probably didn't help either, especially since the "topic" was very fuzzy, which you probably didn't realize. For what you want to do, I think it would be best to let it be very free-wheeling. Maybe part of the problem is that you think what you're doing is a more technical and specific thing than it is. If it were really "analysis," then I can see that it might make sense to try hard to keep it tight, but this is more general and casual -- so probably best to let it be casual. You indicated that there was trouble on the other thread keeping it on topic. Maybe it's in the nature of this kind of thing to meander (if people are interested in discussing it at all, which you should be glad about!) and maybe it's best for you to be OK with that. (I don't see why not!)

#2050291 - 03/18/13 03:04 PM Re: Concerto Analysis [Re: Polyphonist]  
Joined: Dec 2007
Posts: 14,903
keystring Offline
Yikes! 10000 Post Club Member
keystring  Offline
Yikes! 10000 Post Club Member

Joined: Dec 2007
Posts: 14,903
Canada
Originally Posted by Mark C
You indicated that there was trouble on the other thread keeping it on topic.

(for clarification)
I'm going to rename the other forum as the ALF - Adult Learner Forum, to stress the purpose of the forum and its threads. There was a sonata analysis thread in order to get some basic knowledge out there, since "sonata form" is a basic form for understanding works. The purpose was not so much to analyze pieces, but to understand this form, going from simpler to more complex works.

Of course if you're learning about sonata form and analyzing music in that form, you also have to know how to recognize a subject, modulations, cadences and whatnot. A lot of the "wanderings" were necessary, and then also if you're trying to give prerequisite things ahead of time, how much do you give and how? These things are usually taught in courses where everything is preplanned and put into some kind of order.

Going from the sonata thread in the "ABF" to a concerto thread in this forum cannot be the same thing. You're not just graduating to a more complex form which more seasoned musicians know. Because they know it, they don't need to learn about it. Or if someone needs to learn about it, is this the right forum for that? Is this for "advanced learners" or for musicians?

If it is an exploration of certain concertos and it is assumed that people here understand concertos, do comparisons with other works play a role? If it is about concertos per se, does comparing other works play a role in the sense of seeing commonalities and differences?

I've been formally studying sonata form and analyzing sonatas, after graduating from the dance form (binary, ternary etc.), and I've looked at one concerto but haven't really gone out of my way to learn about concertos. I just had a quick look:

short definition
This tells me that the "sonata allegro form" being studied in the ABF is the form used in one of the movements of a concerto, and the dance forms I studied are used in other movements. And of course there is a solo part. I'm not sure whether this would be something to be studied here, or in the ABF.

Kreisler gave excellent suggestions, such as mentioning if part of the music reminds you of other music or certain forms. That leaves me out as participant because my knowledge base isn't broad enough yet, but that might put it to the level of this forum. But it would also mean allowing digressions. I would certainly lurk for that. If someone refers to a piece or musical form, anyone at any level can scoot over and look it up to compare.

Last edited by keystring; 03/18/13 04:13 PM.
#2050296 - 03/18/13 03:13 PM Re: Concerto Analysis [Re: Polyphonist]  
Joined: Jun 2011
Posts: 4,094
PianoStudent88 Offline
4000 Post Club Member
PianoStudent88  Offline
4000 Post Club Member

Joined: Jun 2011
Posts: 4,094
Maine
Originally Posted by Polyphonist
What happened to the thread? wink

Nobody has posted for days for some reason, it seems like there were a lot of contributors before. Did people not realize I posted the Chopin concerto analysis in my last post? wink

Am about to read keystring's posts, which I am sure are full of cogent ideas. For me, I have not forgotten this thread but it's taking me awhile to get marshaled to be able to do anything. I'm getting closer.


Piano Career Academy - Ilinca Vartic teaches the Russian school of piano playing
Musical-U - guidance for increasing musicality
Theta Music Trainer - fun ear training games
#2050315 - 03/18/13 03:54 PM Re: Concerto Analysis [Re: Polyphonist]  
Joined: Feb 2005
Posts: 3,290
Steve Chandler Offline
3000 Post Club Member
Steve Chandler  Offline
3000 Post Club Member

Joined: Feb 2005
Posts: 3,290
Urbandale, Iowa
I'm with Mark in thinking the purpose of the thread is unclear. We've had the high level breakdown of what happens when and Polyphonist added significant detail, but it's hard to get into the nitty gritty of analyzing this because the topic is too big for one post. It doesn't help that the score linked is a 2 piano version and contains zero information about the orchestration. Of course this being a forum of pianists maybe we don't care about the orchestral part but it's integral to the piece and a piano reduction doesn't really help me understand what's going on.

Also getting back to Mark's criticism is this thread about the piano part and performance issues or is this focused on analyzing the concerto as a whole? So we've had the high level play by play but no one's analyzed the themes, polyphonist has touched on the harmonic structure, but what does all that accomplish and how are those effects created?

It seems we're focusing on Rach 2 which would be my preference. Maybe I'll go looking for a downloadable full score.

#2050422 - 03/18/13 07:17 PM Re: Concerto Analysis [Re: Polyphonist]  
Joined: Jun 2011
Posts: 4,094
PianoStudent88 Offline
4000 Post Club Member
PianoStudent88  Offline
4000 Post Club Member

Joined: Jun 2011
Posts: 4,094
Maine
There's at least one full score at imslp.org for Rachmaninoff Concerto 2. I can't imagine trying to analyse it from a reduction.


Piano Career Academy - Ilinca Vartic teaches the Russian school of piano playing
Musical-U - guidance for increasing musicality
Theta Music Trainer - fun ear training games
#2050500 - 03/18/13 09:23 PM Re: Concerto Analysis [Re: Polyphonist]  
Joined: Nov 2002
Posts: 13,837
Kreisler Offline
Kreisler  Offline


Joined: Nov 2002
Posts: 13,837
Iowa City, IA
There's a 2-piano score at IMSLP too.


"If we continually try to force a child to do what he is afraid to do, he will become more timid, and will use his brains and energy, not to explore the unknown, but to find ways to avoid the pressures we put on him." (John Holt)

www.pianoped.com
www.youtube.com/user/UIPianoPed
Page 2 of 2 1 2

Moderated by  Brendan, Kreisler 

Piano Acc. & Gift Items in
Piano World's Online Store
In PianoSupplies.com ,(a division of Piano World)
our online store for piano and music gifts and accessories, Digital Piano Dolly, party goods, tuning equipment, piano moving equipment, benches, lamps Caster Cups and more.


Free Shipping* on Jansen Artist Piano Benches, Cocoweb Piano Lamps, Hidrau Hydraulic Piano Benches
(*free shipping within contiguous U.S. only)
(ad)
Pearl River & Ritmuller
Ritmuller Pianos
(ad)
Pianoteq
PianoTeq 6 Out now
(ad)
Lindeblad Piano
Lindeblad Piano Restorations and sales
ad
Pierce Piano Atlas


New Topics - Multiple Forums
Piano recommendations needed
by flyfishinmusician. 10/18/17 01:09 AM
Thomas Bailey
by ClsscLib. 10/17/17 09:46 PM
Good Gig Bag for Roland RD700NX?
by ClsscLib. 10/17/17 09:26 PM
What piano brands that use high-quality actions.
by JDRPiano. 10/17/17 09:17 PM
Getting better at memorizing
by rov. 10/17/17 07:08 PM
Forum Statistics
Forums44
Topics182,354
Posts2,665,384
Members88,989
Most Online15,252
Mar 21st, 2010
(ad)
Accu-Tuner
Sanderson Accu-Tuner
Check It Out!
There's a lot more to Piano World than just the forums.
Click Here to
Explore The Rest of Piano World!!
Visit our online store for gifts for music lovers


 
Help keep the forums up and running with a donation, any amount is appreciated!
Or by becoming a Subscribing member! Thank-you.
Donate   Subscribe
 
Our Piano Related Classified Ads
| Dealers | Tuners | Lessons | Movers | Restorations | Pianos For Sale | Sell Your Piano |

Advertise on Piano World
| Subscribe | Piano World | PianoSupplies.com | Advertise on Piano World |
| |Contact | Privacy | Legal | About Us | Site Map | Free Newsletter |


copyright 1997 - 2017 Piano World ® all rights reserved
No part of this site may be reproduced without prior written permission
Powered by UBB.threads™ PHP Forum Software 7.6.0