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currawong #2037465 02/22/13 12:47 PM
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Originally Posted by currawong
I do make accompaniment recordings from time to time, and I've worked out a fee schedule for this. No, it's not ideal, but it is useful for the (usually) student performer. They still have to learn how to perform with a real live pianist, when to lead, when to follow etc. It's not so much that it cuts down on rehearsal time, but that, as Kreisler says, the rehearsal time can be spent on the music rather than teaching them their part. smile

Something I have not seen mentioned (and pardon me if it HAS been mentioned), but an expert accompanist can "take over" when guiding an inexperienced player. I used to "pull" students back or push them forward when an adjustment in tempo was necessary, and at times, by placing a piano at just the right angle, I actually gave signals where a "judge" could not see them.

A recording is most definitely better than nothing, but it puts extra demands on the soloist, who then has to follow it even if he/she has had input into the making of the recording.

This is for music that is traditional and that does not have a 100% steady beat. For commercial music it is different.

Gary D. #2037478 02/22/13 01:02 PM
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Originally Posted by Gary D.
This is for music that is traditional and that does not have a 100% steady beat. For commercial music it is different.


Yes. Commercial music has a consistent beat, but not pitch.


gotta go practice
TimR #2037489 02/22/13 01:18 PM
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Originally Posted by TimR
Yes. Commercial music has a consistent beat, but not pitch.

And you think all the classical singers sing the right pitch all the time??? crazy


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AZNpiano #2037506 02/22/13 01:56 PM
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Originally Posted by AZNpiano
Originally Posted by TimR
Yes. Commercial music has a consistent beat, but not pitch.

And you think all the classical singers sing the right pitch all the time??? crazy


well..............I do! Hee, hee. Or if I sing a wrong note, it's actually a mistake, not an almost right right note.

I suspect digital autotune lets some people sell CDs that otherwise would be unable to. And click track keeps the rhythm steady - but that part I enjoy.

I don't listen to Idol regularly, but my family does, and I hear it in the background. It's really very instructive to hear the difference between a decent amateur and a pro. A wandering key center is one of the symptoms that drives me nuts.


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I provide a lot of accompaniment services during festival time, and I made a standard contract last year, which people have been great with so far.

I charge a flat rate, which includes accompaniment for two pieces, and two rehearsals. Any extra rehearsals requested by the family are charged the same as a private lesson with me. Any more than two pieces requires additional fees.

As for the CD, I charge $20, because not only do I have to learn the music to a higher standard a little earlier than expected, it is also my time in making sure the recordings are at a good standard.

It's up to you, but I find that if you have standards with this, parents are usually more than willing to pay the extra money if you give them the service.

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IPlayPiano, I am interested in what you decided to do. I have been doing alot of accompanying the last 12 years or so. I always quote a price which includes the performance and two 30 minute rehearsals. Recently, I got a Roland HPi-7, and I can make awesome midi and audio recordings, and burn cds. I am thinking of changing my pricing next year, offering the additional service of making a recording for x amount. I agree with the others that nothing takes the place of live rehearsal. With some students, however, they really need a recording they can use to practice with at home. This was a very good question for the forum!

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