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#2009396 - 01/05/13 11:19 AM recital 1st half  
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dolce sfogato Offline
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would this work: Chopin, op.22/57/35 as 1st half, after the break op.25, my concern is between op.22 and 35, will the Berceuse have a chance there?


Longtemps, je me suis couché de bonne heure, but not anymore!
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#2009420 - 01/05/13 12:03 PM Re: recital 1st half [Re: dolce sfogato]  
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BruceD Offline
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I think that the Berceuse could hold its own just about anywhere. I wouldn't have a problem with it between the Opp. 22 and 35.

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#2009435 - 01/05/13 12:20 PM Re: recital 1st half [Re: dolce sfogato]  
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debrucey Offline
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Not for me, but then I couldn't sit through an all Chopin recital whatever order the pieces were in.

#2009439 - 01/05/13 12:31 PM Re: recital 1st half [Re: dolce sfogato]  
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Originally Posted by dolce sfogato
would this work: Chopin, op.22/57/35 as 1st half, after the break op.25, my concern is between op.22 and 35, will the Berceuse have a chance there?


Sure, if you really like Chopin.

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#2009446 - 01/05/13 12:41 PM Re: recital 1st half [Re: dolce sfogato]  
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Originally Posted by dolce sfogato
would this work: Chopin, op.22/57/35 as 1st half, after the break op.25, my concern is between op.22 and 35, will the Berceuse have a chance there?


Absolutely.

but, after the break, the whole of op. 25? depending on the audience and the occasion, that may be a bit much.

#2009452 - 01/05/13 01:06 PM Re: recital 1st half [Re: dolce sfogato]  
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Tim Adrianson Offline
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In any recital presentation, I seem to be unfailingly a big fan of contrast. In that context, the Berceuse serves IMO as an IDEAL candidate between 22 and 35. Would definitely elect for it!

#2009608 - 01/05/13 06:23 PM Re: recital 1st half [Re: dolce sfogato]  
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sometimes a program is requested, one dutifully tries to oblige, in this case a full Chopinrecital, ok, what has one ready, what is one prepared to prepare, what is in one's own interest to add to the rep., and what makes a good program, all these questions pop up now and then, and as a slave to the industry of concertmanagers et al. one does what one can. I'm glad the berceuse doesn't seem to get annihilated between the other items, and , yes, the whole of op.25, last time was all of op.10, next time will be opp.10 +25 haha.


Longtemps, je me suis couché de bonne heure, but not anymore!
#2009635 - 01/05/13 06:58 PM Re: recital 1st half [Re: kuifje]  
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Originally Posted by kuifje
...but, after the break, the whole of op. 25? depending on the audience and the occasion, that may be a bit much.
if you're talking about the length it's only around 35 minutes.

Last edited by pianoloverus; 01/05/13 06:59 PM.
#2009639 - 01/05/13 07:02 PM Re: recital 1st half [Re: dolce sfogato]  
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dolce sfogato Offline
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op.22 + 57 + 35 take (in my performance): 45 min, op.25 30 min, quite the normal length of a recital/concert.


Longtemps, je me suis couché de bonne heure, but not anymore!
#2009824 - 01/06/13 03:34 AM Re: recital 1st half [Re: pianoloverus]  
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Originally Posted by pianoloverus
Originally Posted by kuifje
...but, after the break, the whole of op. 25? depending on the audience and the occasion, that may be a bit much.
if you're talking about the length it's only around 35 minutes.


No, i didn't mean the length, the length is fine. I thought that playing only etudes, might be a too little variation for some audiences. While I prefer to buy (and have bought) CD's with complete series only, in a recital i could see a mix of the shorter stuff (preludes, etudes, nocturnes, waltzes, mazurkas), or perhaps another polonaise or a scherzo.


#2009856 - 01/06/13 06:51 AM Re: recital 1st half [Re: kuifje]  
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Originally Posted by kuifje
Originally Posted by pianoloverus
Originally Posted by kuifje
...but, after the break, the whole of op. 25? depending on the audience and the occasion, that may be a bit much.
if you're talking about the length it's only around 35 minutes.


No, i didn't mean the length, the length is fine. I thought that playing only etudes, might be a too little variation for some audiences. While I prefer to buy (and have bought) CD's with complete series only, in a recital i could see a mix of the shorter stuff (preludes, etudes, nocturnes, waltzes, mazurkas), or perhaps another polonaise or a scherzo.
It is quite common to perform a complete set of Chopin Etudes in recital, and there is great variety within the Etudes in either set.


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