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#1878372 04/12/12 05:22 PM
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Eric D. Offline OP
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Thought I'd fork this off from the WTC.

Discuss Well-Tempering, and post any well-temperaments you like.

Get feedback on your temperaments.

This is my favorite of the ones I've invented:

Code
0:          1/1               0.000  unison, perfect prime
  1:        106.647 cents     106.647
  2:          9/8             203.910  major whole tone
  3:        301.173 cents     301.173
  4:         81/64            407.820  Pythagorean major third
  5:          4/3             498.045  perfect fourth
  6:        609.384 cents     609.384
  7:          3/2             701.955  perfect fifth
  8:        803.910 cents     803.910
  9:         27/16            905.865  Pythagorean major sixth
 10:        998.436 cents     998.436
 11:        243/128          1109.775  Pythagorean major seventh
 12:          2/1            1200.000  octave


All the keys sound good in it, but retain their own character. I'd like to hear opinions on it smile

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Is your temperament meant to perform early music on, or is it to invent a new kind of musical flavour? Also, an unequal temperament has to have a starting reference note specified, such as C or A, so that each key flavour will be defined. You do not specify a starting reference note. If you are designing a temperament to perform early music then the aim of most temperaments was to produce calmness in the "closer" keys and sonority in the "remoter" keys. If you temperament starts on C then I see that the M3rd on the root, which is probably the intervals that most governs key flavour, is wider than ET and thus will give C major a very "sharp" sound which is inconsistent with what was probably desired for C major.

Perhaps you are inventing something new that will colour existing music with a new sound, but is it based on a theory of harmonious relationships, or is it based on what pleases your hearing?


Chris Leslie
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Do you have any recordings of a piano set to this temperament?

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Eric D. Offline OP
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Here's a blues thing in it: http://www.box.com/s/4ce94139f6e84ef67e7d

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It seems to keep some of the tensions of ET, too, if I'm hearing it correctly. You're working to keep all of the keys more consonant than in a Well that has stronger wolf tones in some keys?

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Eric D. Offline OP
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Yeah, well I've been fiddling around with tunings/scales for a couple years now.

I don't have any specific goal, but I like this one because

It keeps the white notes just (ie pure pythagorean tuning).
and
All the major/minor work in it and have their own character.





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I, for one, like it quite a bit. If I had a client who only played jazz/blues, I'd give it a try. But I'm not sure I'd like it for classical purposes. JMO. thumb


PianoPerfection
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Eric D. Offline OP
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Funny, I actually developed this one thinking more of baroque era music. I'm happy you like it all the same smile

If anyone has any suggestions for a classical piece to hear in it, I'll upload it.

Just has to be easily available in .midi format though.

Last edited by Eric D.; 04/17/12 07:27 PM.
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I suspect that it would sound different on a piano, rather than a digital instrument. The tolerances on a piano are not the same, nor the interactions within intervals.


Semipro Tech

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