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#1758932 - 09/25/11 12:59 PM Fm7/C....Fm6/Ab...Fm7/Ab........help!  
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A) [Linked Image]

B) [Linked Image]

Hope everyone's well smile I'm trying to understand chords like these. Can someone help? When I see these chords on sheet music, I just ignore them because I don't really understand, and just play as the sheet says!

Are they like a cross of the 2 chords, or is it just that both chords appear in that measure?

The peice is written in Eb major or C minor (prob C minor) with A/B/E flat in the key signiture.

I know that;

A) Fm7 = F/Ab/C/Eb and C = C/E/G

(I find this one more confusing, if there was a neutral E somewhere in the measure then it might make sense)

B) Fm6 = F/Ab/C/D and Ab = Ab/C/Eb
Fm7 = F/Ab/C/Eb and Ab = Ab/C/Eb

(I dont see the need for the /Ab bit to these chords as the notes played are just the notes contained in Fm6 and Fm7, although I can see that Ab is sort of contained within Fm7)

There are tonnes more like this running through the peice, so I really want to understand what's going off.

Thanks smile




Last edited by wayne32yrs; 09/25/11 01:01 PM.
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#1758940 - 09/25/11 01:12 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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In my neck of the woods the Fm7/C is called a "slash chord" - pretty original, no? It just means the chord is Fm7, but the very lowest note is C - so either one is playing a C in the left hand, and an Fm7 in the right, or is playing inversions of Fm7 in either hand, but the lowest note in the left hand is C. It's a suggestion as to how the person who wrote the chord chart would like to hear the bass line. I, safely, ignore the slash part when I feel like it laugh

In this case, however, the C and Ab are written in as the bass, and the right hand is playing Fm7 and Fm6, so those letters reflect the written sheet music.

Cathy


Cathy
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#1758946 - 09/25/11 01:18 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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The first part of the notation, Fm7 or Fm6, refers to a chord. The second part of the notation, C or Ab, refers to a single note, which may or may not be part of the chord preceding the slash. As jotur says, that single note is to be played as the lowest note of the entire combined "slash chord."


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#1758949 - 09/25/11 01:23 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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Oh, that seems easy enough, cheers guys smile

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#1758960 - 09/25/11 01:35 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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[Linked Image]

How about the Bbsus with the numbers, there was a thread a while ago about this, but I just didn't get it!

Bbsus4 (Bb/Eb/F)

Bbsus2 (Bb/C/F)

Last edited by wayne32yrs; 09/25/11 01:37 PM.
#1758974 - 09/25/11 02:10 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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Sus means: suspended. The Third is ehhhh . . . suspended (becomes a fourth).
Try this: play a major triad ie: C major: C E G. Make it a Csus by raising the third to an F.
C F G.
Sometimes a sus chord is written sus4 (which I prefer).

Or a sus chord can also be (like in your example) a sus2.
Csus2: C D G


To these different variants of sus a seventh (or a 9th) can be added.
C7sus4: C F G Bb

#1758985 - 09/25/11 02:38 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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Ok, I get the sus2 and sus4 bit, but am still slightly confused:

The chord in the given measure reads Bbsus(4 over 2) The notes to be played are

Bb (in the left hand)

Ab, C, F (in the right)

so it's like playing Bbsus2, but with an added Ab

Bb9sus4 contain's all these notes, but has an additional Eb (is that where the number 2 comes in)

Edit: I've just realised that Eb is the next note played, so maybe it is Bb9sus4

Please forgive me if I'm being annoyingly stupid smile

Last edited by wayne32yrs; 09/25/11 02:41 PM.
#1758986 - 09/25/11 02:40 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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I'm glad to see this question as the pianist at church was asking just asking me on Saturday I could read chords, which I can't. I only play from written out notes...

I'm not opposed to looking into it to see what I can do though.

So basically a sus chord is changing the 3rd into another scale degree as noted right? The chord written after the slash is just a single note held in the left hand.

Sorry, this may be off topic but...
Now if you were playing in a band that had a bass player, would you just not play your left hand?


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#1758998 - 09/25/11 03:00 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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Originally Posted by wayne32yrs
Ok, I get the sus2 and sus4 bit, but am still slightly confused:
The chord in the given measure reads Bbsus(4 over 2) The notes to be played are
Bb (in the left hand)
Ab, C, F (in the right)
so it's like playing Bbsus2, but with an added Ab
Bb9sus4 contain's all these notes, but has an additional Eb (is that where the number 2 comes in)
Edit: I've just realised that Eb is the next note played, so maybe it is Bb9sus4
Please forgive me if I'm being annoyingly stupid smile
No worries. We "pros" struggle with exact the same questions at every new session "what does the composer want?"
Sometimes one just has to play it and see, work out the sound together with the band. But if it sounds good it works. smile

#1759003 - 09/25/11 03:06 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: GracieCat]  
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Originally Posted by GracieCat
So basically a sus chord is changing the 3rd into another scale degree as noted right? The chord written after the slash is just a single note held in the left hand.

Traditionally the sus was only used at the final cadenza, like in Bach's Toccata in Dm (the A7 at the end). It was used as a device to suspend the ending, so that one didn't just plonk down the end chord.
Sometimes it is written C7(4-3) which means play C F G Bb hold all notes but the F and move it to an E (sometimes by playing F - D - E)

Originally Posted by GracieCat
Sorry, this may be off topic but...
Now if you were playing in a band that had a bass player, would you just not play your left hand?

If it's a slash chord; maybe. Again it depends on the genre and context. If I was playing the organ then yes - - maybe . . one reason is that doubling the third (especially a major third) in the bass is a big no-no. smile

#1759008 - 09/25/11 03:12 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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I have the impression that you think that the /C means that the notes C/E/G have to be played? But /C just means that there is a C in the bass - it indicates the inversion.


[Linked Image][Linked Image][Linked Image][Linked Image]
#1759010 - 09/25/11 03:19 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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Wayne, take these chord symbols with a grain of salt. You have a full arrangement there - you could play the notes as written. The chords above have been written with guitar in mind - of course the same harmony applies, but sometimes a suggestion will be made because it's easy or convenient on guitar, but not necessarily on piano. The converse also applies - they made avoid things that are hellishly difficult on guitar, but may be quite OK on piano.

#1759033 - 09/25/11 04:05 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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Wouter, initially, yes, I wondered, but that's solved now, thnx to the help from ABF members.

TLT, yeah I know I could just play the score, but I'm trying to educate myself in general, I plan to make my own arrangement of this song anyway, I'm only using the score as a guide.

It's Bjork - Play dead by the way!

smile

Last edited by wayne32yrs; 09/26/11 06:10 AM.
#1759038 - 09/25/11 04:15 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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*deleted*

Last edited by BB Player; 09/25/11 08:07 PM. Reason: Copyrighted material deleted
#1759041 - 09/25/11 04:17 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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Wayne like tlt said, the guitar chords are often odd because of the way a guitar is, for example a few of those chords have an X above the E string to show its not played in that chord...
Quite often, guitar chords are inversions, but if its possible to throw the root note on a lower string that would otherwise be open and not used, then it is quite often done..

good song by the way.. love bjork.




Rise like lions after slumber,in unvanquishable number. Shake your chains to earth like dew
which in sleep has fallen on you. Ye are many,they are few. Shelley

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#1759042 - 09/25/11 04:22 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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Actually Wayne, if you learnt the guitar chords, you could sight this by playing the guitar chords with your left hand and the melody with your right????




Rise like lions after slumber,in unvanquishable number. Shake your chains to earth like dew
which in sleep has fallen on you. Ye are many,they are few. Shelley

Founder and creator ofRostoskys 13th crystal skull project
#1759047 - 09/25/11 04:25 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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ah never noticed that x until you said! I don't play guitar, so the boxes with the dots means nothing to me lol (apart from "those are guitar tabs"), I was just looking at the txt above them!

#1759050 - 09/25/11 04:30 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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Originally Posted by Rostosky
Actually Wayne, if you learnt the guitar chords, you could sight this by playing the guitar chords with your left hand and the melody with your right????


I'm hoping to do a bit more with this one Rossy, I've already made alterations lol, I'm not so bothered about just copying music, (exept a few classics) I prefer to make emphasis on specific parts "I like" if that makes sense!

#1759053 - 09/25/11 04:34 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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Hya Wayne, no "guitar tabs" are something else entirely!! These are just guitar chords and where to put your fingers on which string and which fret!!
Anyways, I take it you want to be able to be playing the vocal melody line? in the song?




Rise like lions after slumber,in unvanquishable number. Shake your chains to earth like dew
which in sleep has fallen on you. Ye are many,they are few. Shelley

Founder and creator ofRostoskys 13th crystal skull project
#1759062 - 09/25/11 04:45 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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yeah, I wanna include the vocals, in parts, I'm ok, I'll just play around with it a bit, until I'm happy!

Last edited by wayne32yrs; 09/26/11 06:11 AM.
#1759087 - 09/25/11 05:07 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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wouldnt the vocal line have to be written in the treble clef below it? most of the notes in th e vocal are lower than the ones in the treble clef below it??
Or you could find someone with three hands or a duet?




Rise like lions after slumber,in unvanquishable number. Shake your chains to earth like dew
which in sleep has fallen on you. Ye are many,they are few. Shelley

Founder and creator ofRostoskys 13th crystal skull project
#1759091 - 09/25/11 05:18 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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Yeah, failing to grow another arm, Im just gonna re-arrange it!

Last edited by wayne32yrs; 09/26/11 12:29 PM.
#1759634 - 09/26/11 12:45 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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Ok guys, one more question.....

This one is Bjork - Bachelorette written in the G minor scale, with Bb and Eb in the key signiture.

In one of the measures, there's the G7sus4 chord
[Linked Image]

So G7 is G, B, D, F# so I assume G7sus4 is G, C, D, F#

The notes played in the measure are

C, D, F, G, A, Bb (not in order as displayed in the measure) so in theory, shouldn't the F be F# in this measure?

#1759645 - 09/26/11 12:59 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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Originally Posted by wayne32yrs
Ok guys, one more question.....

This one is Bjork - Bachelorette written in the G minor scale, with Bb and Eb in the key signiture.

In one of the measures, there's the G7sus4 chord
[Linked Image]

So G7 is G, B, D, F# so I assume G7sus4 is G, C, D, F#

The notes played in the measure are

C, D, F, G, A, Bb (not in order as displayed in the measure) so in theory, shouldn't the F be F# in this measure?


G7 is G, B, D, F (natural); Gsus7 would be G, C, D, F (natural).

In a chord chart, it would be written Gmaj7 for an F sharp.


  • Debussy - Le Petit Nègre, L. 114
  • Haydn - Sonata in Gm, Hob. XVI/44

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#1759649 - 09/26/11 01:03 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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So Gsus7 is G minor 7 sus 4 (I assumed G7 = Gmajor7) but guess I should have twigged as the score is written in Gminor!

#1759657 - 09/26/11 01:15 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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Originally Posted by wayne32yrs
So Gsus7 is G minor 7 sus 4 (I assumed G7 = Gmajor7) but guess I should have twigged as the score is written in Gminor!


Gsus4 is neither major nor minor, though to me it feels more major. The suspension means that the note should "resolve".


  • Debussy - Le Petit Nègre, L. 114
  • Haydn - Sonata in Gm, Hob. XVI/44

Kawai K3
[Linked Image][Linked Image][Linked Image]
#1759662 - 09/26/11 01:22 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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Ah I see, thanyou smile

#1759710 - 09/26/11 02:24 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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but either way, G7 has f natural. Not to be confused with G major 7th which would have F#. I know it's confusing but G7 and Gmaj7 are not the same thing, even though we will say G when we mean Gmaj.

If it just says D7, it means D dominant 7th, so flattened 7th.

#1759716 - 09/26/11 02:40 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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I think I've got it cheers!

Gmaj7 - G,B,D,F#
Gm7 - G, Bb, D, F
G7 - G, B, D, F

#1759720 - 09/26/11 02:48 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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Originally Posted by wayne32yrs
I think I've got it cheers!
Gmaj7 - G,B,D,F#
Gm7 - G, Bb, D, F
G7 - G, B, D, F

You've got it! smile
But don't forget:
G7sus4 - G, C, D, F
GmMaj7 - G, Bb, D, F#

#1759729 - 09/26/11 02:56 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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They're included in my little note book wink Thnx

#1759736 - 09/26/11 03:09 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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Make sure you have got it Wayne,there will be tests at the end of the month.
No prizes for getting the answers correct, just punishment and humiliation for incoorect answers.lol.




Rise like lions after slumber,in unvanquishable number. Shake your chains to earth like dew
which in sleep has fallen on you. Ye are many,they are few. Shelley

Founder and creator ofRostoskys 13th crystal skull project
#1759750 - 09/26/11 03:26 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: Rostosky]  
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Originally Posted by Rostosky
Make sure you have got it Wayne,there will be tests at the end of the month.
No prizes for getting the answers correct, just punishment and humiliation for incoorect answers.lol.


Every class has a clown.


Joe Whitehead ------ Texas Trax
#1759805 - 09/26/11 04:19 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: Rostosky]  
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Originally Posted by Rostosky
Make sure you have got it Wayne,there will be tests at the end of the month.
No prizes for getting the answers correct, just punishment and humiliation for incoorect answers.lol.


... not to mention public flogging for spelling mistakes... wink

#1759864 - 09/26/11 05:51 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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Nay lad its nowt like a spelling mistake, it be yorkie. If spelling mistakes got us flogged neither Wayne nor myself would have any skin left on our backs!

Come on Wayne, lets have a recap,name the notes in Eb7 sus4 (Eb7+4) and F#9-5 (F sharp ninth diminished fifth) for a bowl of granmas biscuits.




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which in sleep has fallen on you. Ye are many,they are few. Shelley

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#1760207 - 09/27/11 05:45 AM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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I've only just woke up, but here goes:

Eb7sus4 = Eb, G#, A#, C#

I really had to think about this one Rossy, so it's sort of a guess

F#9 = F#, A#, C#, E

so F#9-5 = F#, A#, C, E

If i've got this right, I want a ABF gold star!

#1760216 - 09/27/11 06:16 AM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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Hya Wayne, good morning to you...
My chord book says: Eb7sus4 = 1st Eb, 4th Ab, 5th Bb, 7th Db (Note no third) so correct!!!
( note flat rather than sharp..)

And F#9-5 = 1st F#, 3rd A#, b5th C, b7th E, 9th G# so nearly correct apart from the ninth.

Silver star awarded and title of "chordmaster general" on hold because of the ninth!

3 biscuits in post.




Rise like lions after slumber,in unvanquishable number. Shake your chains to earth like dew
which in sleep has fallen on you. Ye are many,they are few. Shelley

Founder and creator ofRostoskys 13th crystal skull project
#1761097 - 09/28/11 01:02 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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"Damn" I wanted gold!

One bonus though, is that after spending time studying the sheet music properly, I was able to start improvising straight off, must be because I knew exactly what i was doing, and not fiddling, figuring stuff out as I go along. In future, I'm going to approach all new pieces this way!

smile

#1761111 - 09/28/11 01:23 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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Thats a good idea wayne, and also a good way of learning. I always check out if there are any unfamiliar chords and learn them first, and then look and see if the chords are a mirror to what is written in the score, if not, I concentrate looking at the reasons why...

This piece by Bjorg caught my eye, because Bjorg has got quite a high voice, yet the vocal line is lower than what is in the treble clef of the piano part..
So what, she sings lower than the piano part? I think not.....

I would write it all out again and slip the vocal line into the treble clef of the piano part and then add as much of that part back as was possible to play.

I guess you took this route?

Meant to say, that really boring programme "coach trip" is on the telly, like I really hate that prog..
Just need to go and do some begging on the DP forum...back in a sec.

Last edited by Rostosky; 09/28/11 01:24 PM.



Rise like lions after slumber,in unvanquishable number. Shake your chains to earth like dew
which in sleep has fallen on you. Ye are many,they are few. Shelley

Founder and creator ofRostoskys 13th crystal skull project
#1761129 - 09/28/11 01:52 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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Totally agree Rossy, and I'm also trying to throw in the screaming bits, where no one on this earth can possibily understand what she's singing, (is it singing?) any how, I like these parts. I swapped pieces by the way, doing Bachelorette first! It's cool!

#1768730 - 10/11/11 02:09 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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Hope everyone's well, anychance someone could shed some light on these chords please smile

[Linked Image]
(not the Ab6, I got that one)

[Linked Image]

[Linked Image]
(EDIT: ooops I can work this one out using Rossy's earlier post - I think)

Thnx in advanced smile



Last edited by wayne32yrs; 10/11/11 02:12 PM.
#1768734 - 10/11/11 02:23 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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Bb9-5 = B Flat Ninth, Diminished Fifth

Bb9= Bb/D/F/Ab/C
Bb9-5= Bb/D/E/Ab/C


#1768739 - 10/11/11 02:30 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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Originally Posted by wayne32yrs
Bb9-5 = B Flat Ninth, Diminished Fifth

Bb9= Bb/D/F/Ab/C
Bb9-5= Bb/D/E/Ab/C



You nailed the Bb9. The Bb9-5 would sound right if you played it, but I think maybe it should be written Bb/D/Fb/Ab/C. Fb rather than E, because even though it's diminished you're still referring to a fifth (B to F).


“When I was 5 years old, my mother always told me that happiness was the key to life. When I went to school, they asked me what I wanted to be when I grew up. I wrote down ‘happy’. They told me I didn’t understand the assignment, and I told them they didn’t understand life.” -John Lennon
#1768744 - 10/11/11 02:38 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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Oh, thnx,

How about the C7-9

To me it reads C dominant 7 diminished 9th (but there isn't a 9th in C dominant 7)?

And the G(with the tiny o) I haven't a clue

#1768748 - 10/11/11 02:49 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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Originally Posted by wayne32yrs
Oh, thnx,

How about the C7-9

To me it reads C dominant 7 diminished 9th (but there isn't a 9th in C dominant 7)?

And the G(with the tiny o) I haven't a clue


The G (tiny o) is diminished so that's G, Bb, Db.

C7-9 means a C7 with a flattened 9. So it will be C, E, G, Bb and Db.





  • Debussy - Le Petit Nègre, L. 114
  • Haydn - Sonata in Gm, Hob. XVI/44

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#1768749 - 10/11/11 02:49 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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Oh, I'm sorry about that! I was so focused on the one I forgot about the other two, haha. The little circle means diminished. A diminished chord consists of the root, a minor 3rd and a diminished 5th. So in the example above, G diminished, it would be written G/Bb/Db.

On the C7-9, you're right. It's a C dominant 7 with a flatted 9th. So that would be written C/E/G/Bb/Db

Edit: What Andy said... I was a bit too slow.

Last edited by MichaelF321; 10/11/11 02:49 PM.

“When I was 5 years old, my mother always told me that happiness was the key to life. When I went to school, they asked me what I wanted to be when I grew up. I wrote down ‘happy’. They told me I didn’t understand the assignment, and I told them they didn’t understand life.” -John Lennon
#1768752 - 10/11/11 02:50 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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Do you know how to read guitar chords? That would give you an extra key (no pun intended) for unlocking these notes.

On the G° (G Diminished) chord, which is G, Bb, Db, I'm confused because the chord chart seems to throw in an extra E. What does anyone else think about the first dot on the guitar chord, which I make to add E to the chord?

Last edited by PianoStudent88; 10/11/11 02:53 PM. Reason: cross-posted with the world

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#1768757 - 10/11/11 02:58 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: PianoStudent88]  
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Originally Posted by PianoStudent88
On the G° (G Diminished) chord, which is G, Bb, Db, I'm confused because the chord chart seems to throw in an extra E. What does anyone else think about the first dot on the guitar chord, which I make to add E to the chord?


Bit sloppy really, but I've seen G° used when it really is G° 7; I'm guessing that's what happened here.


  • Debussy - Le Petit Nègre, L. 114
  • Haydn - Sonata in Gm, Hob. XVI/44

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#1768760 - 10/11/11 03:00 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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You can add an E to a G diminished chord, it makes it a diminished 7th chord. It is the exception to the 7th rule. A fully diminished 7th chord has all minor 3rds (technically, G, Bb, Db, Fb). As opposed to the diminished chord with the traditional minor 7th, called either a half diminished (circle with a slash through it) or more commonly in jazz the minor 7, flat 5 chord (Gm7b5).

However, I doubt it would be voiced at the bottom of the chord like that, so in reality it was probably an editor missing the X on the first string. smile


-Brian
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#1768761 - 10/11/11 03:02 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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Thank you Andy Platt! Now I see. G Fully Diminished 7, so G, B, Db, Fb.

[cross-posted with Brian Lucas, who gives me more to think about.]

Last edited by PianoStudent88; 10/11/11 03:04 PM.

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#1768767 - 10/11/11 03:17 PM Re: Fm7/C....Fm6/Ab...Fm7/Ab........help! [Re: wayne33yrs]  
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Thnx for the help guys, and for the link Pianostudent.

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