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I'm just wondering, how long does it take you to compose a work such as this?
It's very good :P
Algernon: I hope, Cecily, I shall not offend you if I state quite frankly and openly that you seem to me to be in every way the visible personification of absolute perfection.
Sorry but this piece is meaningless these chords are just funny and annoying its like 8 bit mario music
Another one of those who use jealousy as a form of criticism.
I have to say I liked the piece, even tho I don't know why uou called it a Romance??? anyways, after the harsh critisisem you gave the Guy with the Piano sonata.3 in c minor, you should be abel to handel this guy's critisisem bether.
By the way, 8 bit mario music is great, Koji Kondo is a great, and very collor full composer! gues the 8 bit comment came from the midi player playing the piece instead of a human, I also think a human would be bether!!!
Yor other post of the 4 little pices was even bether than this, I think.I'm looking forward to youre next post!
Sorry but this piece is meaningless these chords are just funny and annoying its like 8 bit mario music
Another one of those who use jealousy as a form of criticism.
I have to say I liked the piece, even tho I don't know why uou called it a Romance??? anyways, after the harsh critisisem you gave the Guy with the Piano sonata.3 in c minor, you should be abel to handel this guy's critisisem bether.
By the way, 8 bit mario music is great, Koji Kondo is a great, and very collor full composer! gues the 8 bit comment came from the midi player playing the piece instead of a human, I also think a human would be bether!!!
Yor other post of the 4 little pices was even bether than this, I think.I'm looking forward to youre next post!
Thanks!
Romance because of the two voices, like two lovers changing words and feelings.
Sorry but this piece is meaningless these chords are just funny and annoying its like 8 bit mario music
Another one of those who use jealousy as a form of criticism.
believe me im not jealousy you can easily understand this from my signature.
Oh.. you play Chopin?
Guess what I play Chopin too.
So What?
I didnt mean im playing Chopin im starting to think of you are child or adult person without maturity because indeed you are acting like a 10 years old kid fighting with everybody and cant accept any criticize
Sorry but this piece is meaningless these chords are just funny and annoying its like 8 bit mario music
Another one of those who use jealousy as a form of criticism.
believe me im not jealousy you can easily understand this from my signature.
Oh.. you play Chopin?
Guess what I play Chopin too.
So What?
I didnt mean im playing Chopin im starting to think of you are child or adult person without maturity because indeed you are acting like a 10 years old kid fighting with everybody and cant accept any criticize
Oh I knew that you're a kid , from the first post you made, so I guess I'm ahead of you on this one.
'Fighting with everyone'?
I'm not fighting, lol, I'm having a great time... loosen up man...
Saul, I loved it. I particularly enjoyed the harmonic surprises on page 2, and the way you infuse this piece with so much suspense. (It's difficult to stop listening before it's over.)
The ending baffles me, though. It seems like a bravura addition that comes totally out of nowhere, disconnected from the rest of the piece. The repeated chords there also aren't convincing, though this may be a result of the computer performance.
Have you recorded this yourself? Some of the counterpoint (for example, page 6) does not come out so well in midi, and I'd love to hear it in person. Some of the rondo entrances were not so convincing to me - particularly page 12 - but again, this may come across very differently in a human performance.
Saul, I loved it. I particularly enjoyed the harmonic surprises on page 2, and the way you infuse this piece with so much suspense. (It's difficult to stop listening before it's over.)
The ending baffles me, though. It seems like a bravura addition that comes totally out of nowhere, disconnected from the rest of the piece. The repeated chords there also aren't convincing, though this may be a result of the computer performance.
Have you recorded this yourself? Some of the counterpoint (for example, page 6) does not come out so well in midi, and I'd love to hear it in person. Some of the rondo entrances were not so convincing to me - particularly page 12 - but again, this may come across very differently in a human performance.
What do you think of this piece yourself?
Thank you, I really like this piece, and I did perform it but not record it. The piece is very difficult to perform, perhaps one of the most challenging pieces I ever played. I don't have the time now to study it and play it at a level of recording it, but if you're interested I can post here the score and you can give it a try...
what do you say?
P.S midi lowers the quality of this piece considerably.
I'd love to, except I've barely had access to a piano since graduating music school 2 years ago, and I probably won't again for at least another year and a half.
I'd love to, except I've barely had access to a piano since graduating music school 2 years ago, and I probably won't again for at least another year and a half.
![[Linked Image]](http://i846.photobucket.com/albums/ab26/tehjolteonmaster/steinway.png)
