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#1151800 - 02/02/07 03:09 PM Sad, melancholic chord progession  
Joined: Apr 2006
Posts: 391
Astra Offline
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Astra  Offline
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Joined: Apr 2006
Posts: 391
Slovenia
HI!
Im fairly new to piano and till now been composing only simple songs using 3 chords (I, IV, V)
I wonder if anyone could give me a nice, sad, melancholic chord progression to write a nice melody over it.


ex - pian00b
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#1151801 - 02/02/07 07:26 PM Re: Sad, melancholic chord progession  
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Mike A Offline
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Mike A  Offline
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So.Cal.USA
To get started, you might try doing the same basic thing in minor:

im7(9), ivm9, iim7b5, V7#5b9, im7(9)

In C that's:

Cm7(9), Fm9, Dm7b5, G7#5b9, Cm7(9)

(Even just toggling back and forth between im7(9) and ivm9 sounds good and sad.)

Also, for melancholic, nothing beats the minor add 9 chord (in C, for example: C-D-Eb-G). Even the research shows it:

http://tagg.mediamusicstudies.net/articles/xpdfs/musemeuse.pdf
http://www.tagg.org/articles/xpdfs/jochen0411.pdf

#1151802 - 02/02/07 08:40 PM Re: Sad, melancholic chord progession  
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Kreisler Offline
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i-V6-i-iv6-i64-V7-i

i-v6-bVI(Maj7)-V7


"If we continually try to force a child to do what he is afraid to do, he will become more timid, and will use his brains and energy, not to explore the unknown, but to find ways to avoid the pressures we put on him." (John Holt)

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#1151803 - 02/03/07 10:23 AM Re: Sad, melancholic chord progession  
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Astra Offline
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Astra  Offline
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Joined: Apr 2006
Posts: 391
Slovenia
Thanks!
@Mike A
I want to make sure if I know chords correctly. Dm7b5 is D, F, bA, C and G7#5b9 is G, B, bE, b B?

@Kreisler
Thanks, I wonder if you could write this in the key of C (or any other major key)


ex - pian00b
#1151804 - 02/03/07 11:05 AM Re: Sad, melancholic chord progession  
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Mike A Offline
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Mike A  Offline
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Quote
Originally posted by pian00b:
Mike A
I want to make sure if I know chords correctly. Dm7b5 is D, F, bA, C and G7#5b9 is G, B, bE, b B?
Correct for Dm7b5.

For G7#5b9, the b9 is Ab, rather than Bb (because the 9th is A). However, the Bb (or, technically, A#) is the #9, and it also sounds good. Often sounds good to do the #9 then drop that note down to the b9 -- first A#, then Ab.
(By the way, you have the right note for the #5 in that chord, but technically it's spelled D# rather than Eb. The fifth of G is D, and you're raising it a half step.)

#1151805 - 02/03/07 02:58 PM Re: Sad, melancholic chord progession  
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Kreisler Offline
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Joined: Nov 2002
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Iowa City, IA
Neither of my examples are in a major key, but in C minor, they would be:

Cm, G/B, Cm, Fm/Ab, Cm/G, G7, Cm

and

Cm, Gm/Bb, AbMaj7, G7


"If we continually try to force a child to do what he is afraid to do, he will become more timid, and will use his brains and energy, not to explore the unknown, but to find ways to avoid the pressures we put on him." (John Holt)

www.pianoped.com
www.youtube.com/user/UIPianoPed
#1151806 - 02/04/07 12:55 AM Re: Sad, melancholic chord progession  
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Ted2 Offline
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Ted2  Offline
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For me, a melodic sequence using the three successive minor keys on the augmented chord, e.g. Cm,Em,G#m and the other three possible cycles, gives a peculiarly haunting effect, provided it isn't overdone, of course.


"Do what thou wilt shall be the whole of the law" - Aleister Crowley
#1151807 - 02/04/07 09:10 PM Re: Sad, melancholic chord progession  
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Johnny-Boy Offline
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Hey Pian00b,

Try composing a sad melodic line first, and then add the chords later.

Best, John


Stop analyzing; just compose the damn thing!

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