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I agree about the "breezing thru" comment. I never wanted or expected anyone to take my posts as meaning I am running thru book 3 at a fantastic pace. I am not. I have dropped many of the pieces before polishing them to "performance" quality. But I do think I have learned something from all of them. There are many that, even if I could record, I would not, because they just simply would not be worth listening to.


-Mak

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Originally posted by OldFingers:


Did no one take the option of going to the Prelude in C Major? If not, why not? I'm going to spend some time on this one because I like the chords although I haven't figured them all out yet.

I have played through it. But I've worked on it years ago when my son was taking lessons. It's a very nice piece, I'm also very closes to getting prelude in D completed. I really want to record that one.

Don't feel bad about the Classy Rag. I may never get it to speed either... laugh

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Originally posted by IrishMak:
I agree about the "breezing thru" comment. I never wanted or expected anyone to take my posts as meaning I am running thru book 3 at a fantastic pace. I am not. I have dropped many of the pieces before polishing them to "performance" quality. But I do think I have learned something from all of them. There are many that, even if I could record, I would not, because they just simply would not be worth listening to.
Count me as there too. In fact I recently told my teacher we need to stop at Steal Away because I'm falling behind and need time to get some pieces cleaned up. And there are a few I might just play though and never polish.

Hech, I'm still working on Canon and a few other book 2 pieces... laugh

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Originally posted by OldFingers:

JF, I think your suggestion that we record some of our pieces is a good one.

I once threatened to record Danny Boy, and I will after my piano is tuned next week.
Threatened? laugh Something tells me that it will be more like a "treat" than a "threat"! smile

Regards, JF


Every difficulty slurred over will be a ghost to disturb your repose later on. Frederic Chopin

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I must confess, I am still working on the last page of Canon. That 4th finger of mine was killing my timing until I realized I had to lift my hands. What a difference!

The "breezing" comment was a little flip and I apologize if I gave the wrong impression. On thinking about it, I realized that I'm on page 36 because I already knew the theory from my lead-sheet days and I've skipped 2-3 pieces. But I'm slowing down now because of new fingering configurations.

Mark, do you remember the speed at which you played the Prelude in C Major?

Ah, JF, you are a real optimist. You might live to regret your suggestion.


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Originally posted by OldFingers:
Mark, do you remember the speed at which you played the Prelude in C Major?

My sons digital had it programed into it and It sounded like this:

http://www.youtube.com/watch?v=9KHycdHbz6w&feature=related

I never did get it to speed back then...

I sounded more like this:

http://www.youtube.com/watch?v=NdSlu06gDy8&feature=related

Hope this helps...

Mark...

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Mark, thanks for the recordings. My speed is more like the second example, except that I still make a lot of mistakes. Your left hand seems to be a lot more confident than mine is. I'm still guessing at some of the positions.

Bob


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Originally posted by OldFingers:
Mark, thanks for the recordings. My speed is more like the second example, except that I still make a lot of mistakes. Your left hand seems to be a lot more confident than mine is. I'm still guessing at some of the positions.

Bob
Those recording weren't actually me. Just examples. I did play something like the second one a while ago. Looking forward to tackling it again. Also I see nothing wrong with the slower speed. I like it better in fact.

Mark...

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I can't believe how long I've been struggling over Classy Rag....

Of course, with 2 jobs and and online courses-I don't have the time I'd like to have to practice, but still!

I keep telling myself that it will be really cool when I finally get it because I'm working so hard on it.


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Fitswimmer, I feel the same way about the Unfinished Symphony piece! It still sounds so measured and mechanical, but if I don't count very, very precisely and slowly, I get lost immediately! My teacher says the first page is "getting better," but I'm not entirely convinced!


-Mak

1889 Mason & Hamlin screwstringer upright
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IrishMak, I'm just starting The Unfinished Symphony. Thanks for the tip to count it out carefully.

I've finished my lessons for this year but hope to keep going in Book 3, but I probably won't get very far without my teacher.

Sometime ago John Frank asked us for some recordings and I've been trying to do Danny Boy, but I'm suffering the Red Dot fever. It's the first time I've tried to record my playing and it was a very good lesson because I realized that I was making mistakes but just sloughed them off. I'm going beyond cyberspace for awhile, but I hope to get at least one recording done before I'm gone.


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I have conquered you, Classy Rag!! You did not beat me-although you tried. I have mastered your tricky passages and repeats!

After this pause for rejoicing...I get to start polishing the dynamics, but boy it feels good right now.


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Originally posted by Fitswimmer:
I have conquered you, Classy Rag!! You did not beat me-although you tried. I have mastered your tricky passages and repeats!

After this pause for rejoicing...I get to start polishing the dynamics, but boy it feels good right now.
Congrats...its a tough one. I hit it everyday waiting for it to come to speed...

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An American Hymn...just a great book 3 piece...

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You're getting ahead of me again! LOL

I'm still trying to straighten out the last couple lines of Come Back to Sorrento in Alfred's. And working a couple pieces in the Romantic Impressions first book, and one in a Jazz, Rags and Blues book. I will never, never be a blues player, I am afraid! laugh


-Mak

1889 Mason & Hamlin screwstringer upright
Kawai MP-4 digital

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Originally posted by IrishMak:
You're getting ahead of me again! LOL

I'm still trying to straighten out the last couple lines of Come Back to Sorrento in Alfred's. And working a couple pieces in the Romantic Impressions first book, and one in a Jazz, Rags and Blues book. I will never, never be a blues player, I am afraid! laugh
It's not that I perfected the previous pieces. But when I get a piece close, we move to the next piece while I still clean up the older stuff. laugh Eventually the older stuff gets finished...

But I think you will just love "An American Hymn"...

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Hi everyone! I have just started in this forum and have just started Alfred's Adult book #3 and I am just loving it! There are easy pieces that are a bit rhythmic and Iam still learning to play music at a faster tempo when needed. My question to you is this: When finished with the Book 3- would it be easier" to go with classical or pop or is it at the musician/instructor's discretion? Thank you


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Hi everyone! I have just started in this forum and have just started Alfred's Adult book #3 and I am just loving it! There are easy pieces that are a bit rhythmic and Iam still learning to play music at a faster tempo when needed. My question to you is this: When finished with the Book 3- would it be easier" to go with classical or pop or is it at the musician/instructor's discretion? Thank you


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piano4, well my teacher started me on the john thompsons grade 3. i just started it so i cant give much information on it. seems challenging enough though:) i am still working on the chopin piece and the moonlight sonata at the end of alfreds 3 though. maybe i will get some practice in so i can pass them soon:) i am guessing when you are done with alfreds 3 you should ask your teacher what happens then?? find out what you want to do etc. and see which way you want to go.


If it ain't fun I ain't doin' it:)
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